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Debussy: 12 Selected Piano Works: Piano Book & Online Audio

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Debussy: 12 Selected Piano Works Cover Image

Debussy: 12 Selected Piano Works: Piano Book & Online Audio

By Claude Debussy / ed. and perf. Joseph Banowetz

Level: Advanced

Item: 00-35314

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Description
This volume contains 12 famous works by Debussy as edited and performed by Joseph Banowetz. A complete preface describing compositional and performance notes on each piece is included along with audio performances recorded by Banowetz. Titles: Arabesques No. 1 and No. 2 * La fille aux cheveux de lin (The Girl with the Flaxen Hair) from Préludes, Book I * Page d'album (Album Leaf) * Rêverie * Selections from Suite Bergamasque (Clair de Lune "Moonlight" * Prélude) * Selections from Children's Corner (Doctor Gradus ad Parnassum * Golliwogg's Cake-Walk * Le petit nègre * The Little Shepherd * Serenade of the Doll).

Joseph Banowetz graduated with a First Prize from the Vienna Akademie für Musik und darstellende Kunst. Banowetz has been a piano recitalist and orchestral soloist on five continents.

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2 GolliwogsCakeWalk --:--

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Additional Details
Series: Alfred Masterwork Audio Edition
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-7390-7106-8
ISBN13: 978-0-7390-7106-9
UPC: 038081396163
SKU: 00-35314

More about this title

About the Composer: Claude Debussy

Claude Debussy (1862–1918) fundamentally altered how composers approached harmony, timbre, and form in the early twentieth century. Working primarily in France, he rejected the harmonic conventions of his Romantic predecessors in favor of sonorities drawn from gamelan music, folk song, and pure sound exploration. His piano works remain central to the advanced repertoire because they demand not just technical facility but genuine musical imagination from the performer.

Why we love this

Banowetz's selection captures the full arc of Debussy's piano idiom, from the lyrical charm of Rêverie and Clair de Lune through the rhythmic sophistication of Golliwogg's Cake-Walk and the impressionistic color work in La fille aux cheveux de lin. Having the editor's own recorded performances included transforms this from a standard score into a learning resource where pianists can hear how these technically demanding works should breathe and speak.

What to expect

These works inhabit a delicate space between clarity and atmospheric shimmer. Debussy's textures often seem to float rather than march, requiring a touch that balances definition with inherent mystery. The emotional range spans from intimate reverie and childhood innocence to witty rhythmic play, always maintaining an unmistakably French elegance.

Who it's for

Advanced pianists preparing for recitals, competition performances, or advanced repertoire study will find this collection both achievable and artistically rewarding. Teachers seeking to introduce serious students to impressionistic piano writing can use Banowetz's performances as a reliable reference for style, phrasing, and tonal approach.

How to get the most out of it

  • Approach pedal use as an orchestral tool rather than a blur effect; Debussy's harmonies often require careful layering of resonance to achieve his intended color without muddying the texture.
  • Study the preface alongside the score before playing; Banowetz's performance notes on each work address compositional intent in ways that directly shape interpretive choices.
  • Listen to Banowetz's recordings with score in hand to observe how he shapes phrase endings, handles tempo flexibility, and balances melodic lines against harmonic background.
  • Practice the rhythmic complexities in pieces like Golliwogg's Cake-Walk with a metronome first, then gradually free the pulse to match the style Banowetz demonstrates in his recording.

How to use it

Program individual selections as standalone recital pieces to introduce audiences to Debussy's shorter, more accessible works before moving toward more experimental territory. A thematic concert pairing Rêverie with Clair de Lune creates a natural program arc, while Golliwogg's Cake-Walk and Le petit nègre offer stylistic contrast and historical context within a single recital.

Skills your students will build

  • Pedaling for harmonic resonance and tonal color in impressionistic textures
  • Rubato and phrase shaping within a flexible metric framework
  • Independence between hands in achieving polyphonic clarity with reduced dynamic contrast
  • Interpretation of impressionistic harmony and its relationship to melodic content
  • Understanding early twentieth-century compositional technique and its departure from Romantic conventions

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