De Profundis Clamavi Cover Image

De Profundis Clamavi: Choral Vocal Score

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De Profundis Clamavi Cover Image

De Profundis Clamavi: Choral Vocal Score

By Michel-Richard de Lalande

Item: 12-0571519466

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Description
The grand motets of Michael-Richard de Lalande (1657-1726), principal Chapel Music Director for Louis XIV and Louis XV, marked the high point of sacred music under the ancien régime. De profundis is the best-known of Lalande's motets, and is a justly celebrated work.

Edited by distinguished scholar Lionel Sawkins (editor of Charpentier's 'Te Deum', also published by Faber Music), this practical performing edition of 'De profundis Clamavi' brings the work of this still relatively unknown composer to light.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-51946-6
ISBN13: 978-0-571-51946-0
UPC: 9780571519460
SKU: 12-0571519466

More about this title

About the Composer: Michael-Richard de Lalande

Michael-Richard de Lalande (1657-1726) rose to prominence during the reign of Louis XIV, eventually becoming principal Chapel Music Director for both the Sun King and his successor Louis XV. His grand motets represent the apex of French Baroque sacred music, combining the grandeur of Lully's orchestral style with deeply expressive choral writing. Though his reputation dimmed after his death, Lalande's liturgical works remain cornerstones of the period's output.

As a master of the motet form, Lalande crafted works of unprecedented scope and emotional depth. His compositions shaped the musical language of the French court chapel and influenced generations of composers who followed. Today, his rediscovery through modern performing editions has restored him to his rightful place in the Baroque canon.

Why we love this

Sawkins's edition unlocks a masterwork that consistently moves singers and audiences alike with its architectural clarity and spiritual intensity. The text setting is remarkably expressive without sacrificing structural coherence, making this both a rewarding challenge for accomplished choirs and a tangible window into the aesthetic values of the French Baroque court. Programming this work signals serious musical ambition and offers your singers access to repertoire that comparatively few American ensembles attempt.

What to expect

Lalande's setting unfolds with the grandeur of royal court ceremony, yet never sacrifices intimate expressive moments. The harmonic language carries both solemnity and unexpected tenderness, moving from dark, searching passages to moments of luminous faith. Singers experience both the structural majesty of the grand motet and the vulnerability embedded in the penitential text.

Who it's for

This edition serves advanced amateur choirs, college and university ensembles, and professional vocal groups prepared to tackle French Baroque style with linguistic awareness and harmonic sophistication. Directors seeking to expand their sacred repertoire beyond the familiar German and Italian schools will find in De profundis both artistic depth and practical accessibility through Sawkins's scholarly yet performable text.

How to get the most out of it

  • Shape phrases with the long-line sensibility of French Baroque style; avoid excessive sectional breaks even when the harmonic rhythm shifts. Let the text breathe through vocal legit rather than punctuation.
  • Balance the dialogue between soloist passages and tutti sections with clarity of texture. The grand motet form thrives when listeners can distinguish the architectural design.
  • Observe Baroque articulation conventions: note the distinction between slurred and tongued passages as indicated in Sawkins's edition. Clarity of consonants supports the French text without distorting vowels.
  • Support intonation through awareness of just temperament tendencies common to the period. Raised leading tones and the harmonic language of Lalande's time reward singers who listen across the ensemble.

How to use it

De profundis works powerfully as a centerpiece for a Baroque sacred music concert, particularly one exploring French or court chapel repertoire. Its substantial length and emotional arc make it suitable as a season-defining work rather than a shorter octavo addition. Consider pairing it with instrumental dance movements or shorter motets by Lalande himself to create a focused program that demonstrates the breadth of his chapel music output.

Skills your students will build

  • French Baroque text declamation and lyric diction
  • Harmonic awareness in figured bass contexts
  • Long-phrase singing and structural listening
  • Voice leading in seven-part writing
  • Stylistic balance between soloist and tutti textures

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