Day in Venice, A (Un giorno in Venezia), Op. 25 Cover Image

Day in Venice, A (Un giorno in Venezia), Op. 25: Salon/ Theater Orchestra, Conductor Score & Parts

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Day in Venice, A (Un giorno in Venezia), Op. 25 Cover Image

Day in Venice, A (Un giorno in Venezia), Op. 25: Salon/ Theater Orchestra, Conductor Score & Parts

By Ethelbert Nevin

Item: 36-A324102

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Description
American composer Ethelbert Nevin (1862-1901) wrote A DAY IN VENICE (UN GIORNO IN VENEZIA): SUITE ROMANTIQUE, Op. 25 for piano in 1898. In four movements (1. Alba [Dawn]; 2. Gondolieri [Gondoliers]; 3. Canzone Amorosa [Love Song]; 4. Buona Notte [Good Night]), the music depicts Nevin's impressions while in the Italian city. This version for theater orchestra was released the following year in 1999. Instrumentation: 1.1.2.1: 2.0+2.1.0: Timp.Perc(1-3): Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 612735996819
SKU: 36-A324102
Instrumentation: 1.1.2.1: 2.0+2.1.0: Timp.Perc(1-3): Str (9-8-7-6-5 in set)

More about this title

About the Composer: Ethelbert Nevin

Ethelbert Nevin (1862-1901) was an American composer and pianist whose gift for melodic writing made him one of the most performed composers of his generation. Though he studied in Europe and composed ambitious works across multiple genres, his most enduring legacy comes from shorter character pieces that captured popular imagination through their directness and charm. His salon music remains essential repertoire for orchestras seeking to program lyrical, accessible works without sacrificing musical substance.

Why we love this

Nevin's orchestration brings genuine sophistication to what could have remained a piano work. The four-movement structure creates natural narrative arc, dawn breaks into boisterous gondolier scenes, transitions through tender romance, and closes with evening calm, making this suite an elegant concert opener or program interlude that rewards attentive listening without demanding audience expertise.

What to expect

A musical postcard from Venice rendered in warm orchestral colors. Nevin captures the city's dreamlike quality, misty dawns over the lagoon, the rhythmic energy of gondoliers, stolen moments of tenderness under starlight, in four short movements that feel both intimate and grand.

Who it's for

Salon and theater orchestras seeking repertoire that combines Romantic lyricism with theatrical character. This work suits community orchestras, pops programs, and educational ensembles ready to explore late-19th-century American composition beyond the standard canon.

How to get the most out of it

  • Shape the opening Alba with gentle crescendos that suggest sunrise rather than sudden light. The tempo should breathe.
  • Balance the Gondolieri section so the boisterous character reads clearly without the ensemble overshadowing the melodic line.
  • Let the string section lead the Canzone Amorosa. This movement lives in sustained phrasing and tone quality.
  • Bring the piece home in Buona Notte by allowing slight ritardandi on the final phrases to mirror the evening's twilight.

How to use it

Open a concert with the complete suite to establish an elegant tone, or program individual movements alongside other salon pieces for varied texture. The Canzone Amorosa works particularly well as a lyrical contrast to energetic contemporary selections.

Skills your students will build

  • Sustaining long melodic lines across phrase boundaries
  • Balancing transparent orchestration where multiple lines carry equal weight
  • Responding to subtle tempo and dynamic inflection in Romantic-era style
  • Reading and executing characteristic rhythms of the Gondolieri movement

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