David Bowie: The Hits Cover Image

David Bowie: The Hits: Full Orchestra Conductor Score & Parts

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David Bowie: The Hits Cover Image

David Bowie: The Hits: Full Orchestra Conductor Score & Parts

Featuring: Let's Dance / Space Oddity / Under Pressure

Arranged by Patrick Roszell

Grade: 3

Item: 00-50768

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Description
Bowie. Some artists only need to be known and recalled by one name. This medley, arranged by Patrick Roszell, contains three of his biggest hits. The jazzy and funky "Let's Dance," the ethereal "Space Oddity," and the ever-grooving hit with rock group Queen "Under Pressure." This fantastic arrangement will be a hit with your audience! (6:45)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, David Bowie: The Hits: Full Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Concert Full Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-6744-4
ISBN13: 978-1-4706-6744-3
UPC: 038081586328
SKU: 00-50768

More about this title

Why we love this

Roszell's arrangement respects the DNA of each hit while reimagining them for full orchestra, creating three distinct sonic worlds within a single medley. The funky groove of 'Let's Dance,' the atmospheric mystery of 'Space Oddity,' and the collaborative energy of 'Under Pressure' each get their own orchestral voice, giving your ensemble material that feels both accessible and musically substantive.

What to expect

Three decades of Bowie distilled into six minutes and forty-five seconds. You move from the infectious, syncopated energy of a dance track to the weightless, almost sci-fi calm of space itself, then land in a celebratory moment of two musical giants meeting. The orchestration carries each song's essential character while revealing new details in the arrangement.

Who it's for

Conductors leading full orchestras at the intermediate level who want contemporary pop arrangements with serious orchestral writing. This works well in concert settings where you want to connect with audiences through recognizable music without compromising musicianship.

How to get the most out of it

  • Balance the rhythm section carefully in 'Let's Dance.' The groove depends on a tight partnership between percussion and lower strings; let them lock in first, then layer winds on top.
  • Shape 'Space Oddity' with dynamic restraint. This movement lives in atmosphere rather than loudness. Encourage sustained tones from strings and thoughtful phrasing in winds to build tension without forcing.
  • Conduct 'Under Pressure' with clear beat patterns and confident time. The piece thrives on the ensemble's collective pulse; articulate the downbeats so everyone feels the collaborative energy of the original recording.
  • Use the transitions between movements as rehearsal checkpoints. Each shift in style and tempo requires ensemble focus; clean handoffs keep momentum and prevent the medley from feeling like three separate pieces.

How to use it

Program this as a single concert suite that bridges pop and orchestral literature, making it ideal for audience-friendly pops concerts, community performances, or festivals with mixed repertoire. The medley format and recognizable material also work well as an opener or closer to maintain energy and engagement throughout your program.

Skills your students will build

  • Balancing ensemble texture across contrasting styles (funk, ambient, rock-pop)
  • Conducting smooth stylistic transitions between contrasting tempos and grooves
  • Playing syncopated rhythms in 'Let's Dance' with precision and pocket
  • Sustaining lyrical lines in 'Space Oddity' with control and expressive phrasing
  • Locking rhythmic unison in a high-energy ensemble setting ('Under Pressure')

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