Daphnis et Chloe Cover Image

Daphnis et Chloe: Full Orchestra, Chor Sc

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Daphnis et Chloe: Full Orchestra, Chor Sc

By Maurice Ravel, ed./arr. by Clinton F. Nieweg

Item: 36-A675592

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Description
Maurice Ravel's (1875-1937) longest work at almost an hour, the complete one-act ballet Daphnis et Chloé was described by the composer as a "symphonie choregraphique" (choreographic symphony). Ravel began the work, a romance about the Greek goatherd Daphnis and the shepherdess Chloe, upon receiving a 1909 commission from famed Russian ballet impresario Sergei Diaghilev, and the premiere in 1912 included Vaslav Nijinksky and Tamara Karsavina in the title roles. Full of lush harmonies typical of the impressionist movement and musical leitmotifs, the work is considered among Ravel's most passionate and best compositions. Ravel extracted the music from the ballet to make two orchestra suites, which can be performed with or without chorus. Instrumental parts are included as substitutions for performances with no chorus. Instrumentation: 3(2nd/3rd dPicc)+Afl.2+EH.2+EbCl+BCl.3+CBsn: 4.4.3.1: Timp.Perc(12 parts): Hp(2).Clst: Str (4-4-3-3-3 in set): Mixed Chorus (optional; available separately). Reprint edition and part of the Nieweg Performance Editions series. Choral score includes harmonium reduction of the choral parts.

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Additional Details
Series: Nieweg Performance Editions - Kalmus
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852997-7
ISBN13: 979-8-88-852997-3
UPC: 659359719615
SKU: 36-A675592
Instrumentation: 3(2nd/3rd dPicc)+Afl.2+EH.2+EbCl+BCl.3+CBsn: 4.4.3.1: Timp.Perc(12 parts): Hp(2).Clst: Str (4-4-3-3-3 in set): Mixed Chorus (optional; available separately)

More about this title

About the Composer: Maurice Ravel

Maurice Ravel (1875-1937) was a French composer who mastered orchestration with a precision that rivaled his more famous contemporary, Claude Debussy. Though often grouped with the Impressionists, Ravel rejected the label, preferring to emphasize his classical formal structures and meticulous craftsmanship. His output was relatively small by volume but enormous in influence; each work demonstrates his obsessive attention to instrumental color, harmonic sophistication, and architectural clarity.

Ravel's ballets remain his most performed works, and Daphnis et Chloé stands as his masterpiece in the genre. The score exemplifies his ability to blend lush harmonic language with rigorous structural thinking, creating music that feels both spontaneous and inevitably composed. His influence on twentieth-century orchestration was immeasurable, shaping how composers approached timbre and texture for generations.

Why we love this

Ravel's orchestration here is a masterclass in instrumental color and texture, making this score essential for any conductor serious about understanding how the modern orchestra works. The optional chorus adds a sumptuous final dimension without being essential, giving conductors flexibility while the dance itself remains the primary narrative force. Programming this ballet captures an entire arc of human experience—innocence, passion, danger, and redemption—in a single evening.

What to expect

Daphnis et Chloé unfolds as a sensual journey through pastoral innocence into ecstatic awakening. The orchestration shimmers with warm, enveloping harmonies punctuated by moments of stark vulnerability; Ravel's harmonic language feels simultaneously dreamy and urgently alive. The Bacchanal erupts with primitive rhythmic force before subsiding into tenderness, the whole arc wrapped in some of the most sumptuous instrumental writing in the repertoire.

Who it's for

Orchestras and opera companies with the resources to field a full complement of winds, deep string sections, and substantial percussion capability. This is programming for mature ensembles with access to professional or pre-professional singers if the optional chorus is used.

How to get the most out of it

  • Balance the two harps carefully in the quieter passages; they should enhance transparency rather than muddy the woodwind dialogue.
  • The 12-person percussion section demands precise coordination; designate clear section leadership and run dedicated rehearsals for the battery independent of the full ensemble.
  • Emphasize the leitmotifs for clarity; audiences follow the narrative through these recurring musical ideas, so each character's theme must remain distinct across the full hour.
  • If performing with chorus, ensure the harmonium reduction in the choral score is audible during rehearsal so singers lock into their harmonic context before adding orchestral texture.

How to use it

This ballet works best as a standalone concert event or as the centerpiece of a season that celebrates orchestral color and twentieth-century ballet. Pair it with a shorter prelude or chamber work rather than competing works; Daphnis demands and deserves the listener's full attention. Spring seasons suit this work particularly well, as the narrative arc from shepherd life through crisis to renewal resonates with seasonal renewal.

Skills your students will build

  • Reading and balancing complex orchestral textures with 3 woodwind doublings and divided strings
  • Sustaining ensemble focus across extended symphonic development without a strong harmonic anchor
  • Precision in mixed-meter and syncopated rhythmic figures across the full orchestra
  • Coordinate with optional chorus parts while maintaining instrumental independence
  • Executing impressionist harmonic language: unresolved chords, parallelism, and color-based voice leading

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