Danse Macabre Cover Image

Danse Macabre: Jazz Ensemble Conductor Score & Parts

$55.00 USD
Sale price  $55.00 USD Regular price 
Skip to product information
Danse Macabre Cover Image

Danse Macabre: Jazz Ensemble Conductor Score & Parts

By Camille Saint-Saëns / arr. Ryan Fraley

Grade: 2.5

Item: 98-HX9028

Need it now?

Buy Digital Version
$55.00
Shipped

One moment…

Description
Ryan Fraley's arrangement of Camille Saint-Saëns' Danse Macabre transforms the iconic nineteenth-century supernatural tone poem into a dynamic 1930s hot-jazz piece reminiscent of Django Reinhardt's swing style. The work brings the haunting themes to life, set against compelling backbeats. It features skillfully written solos for plunger trumpet and trombone, an open solo section for improvisation (transcribed solos provided), and a sizzling sax soli, inviting musicians to delve into a fusion of classical sophistication and the exuberant spirit of early jazz. Top trumpet note: F-sharp 5.

Danse Macabre: Jazz Ensemble Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: HXmusic
Publisher: HXmusic
UPC: 659675475820
SKU: 98-HX9028

More about this title

About the Composer: Camille Saint-Saëns

Camille Saint-Saëns (1835-1921) was a French composer of towering technical mastery and prolific output, equally comfortable writing symphonies, concertos, operas, and chamber music. His Danse Macabre, composed in 1874, ranks among the most enduring orchestral showpieces of the Romantic era, capturing the medieval legend of Death summoning the living to dance with unforgettable musical imagery, the tritone, rattling xylophone, and obsessive rhythmic drive became the vocabulary of supernatural music for generations to come.

What makes Saint-Saëns particularly valuable in education is his clarity of form and orchestration paired with genuine dramatic flair. He never sacrificed structure for effect, and conductors and arrangers have repeatedly returned to his works precisely because the bones are so strong. This arrangement by Ryan Fraley proves that point: transplanting the core melodic and harmonic architecture into a 1930s jazz idiom works because Saint-Saëns' writing was always inherently sophisticated.

Why we love this

This arrangement hits that rare sweet spot where students encounter a genuine masterwork while genuinely enjoying themselves. The plunger trumpet and trombone solos feel authentic to the jazz idiom without asking your lead players to carry the entire piece on their shoulders, and the transcribed solos give everyone a safety net while still opening the door to improvisation. It's the kind of piece that teaches form, voicing, and cross-genre conversation all at once, and your ensemble will want to play it again.

What to expect

Sultry and swinging, with the supernatural undertow of the original constantly threatening to bubble to the surface. The backbeat has a relentless, almost dancelike momentum that keeps the energy high, while the solos trade in that smoky 1930s sensibility, think a speakeasy where the band never quite forgets they're playing a ghost story.

Who it's for

Intermediate jazz ensembles looking for repertoire that feels both substantial and playable, especially groups with capable soloists in trumpet and trombone. This works equally well for concert performance and festival competition, and it's a natural fit for Halloween or vintage-themed concerts without feeling gimmicky.

How to get the most out of it

  • Lock the accompaniment into a steady, laid-back swing feel before layering in the solos. Saint-Saëns' obsessive rhythmic cells need that jazz pocket to land properly.
  • Let the plunger trumpet and trombone soloists own their moment. This is their feature, not a break to get through. The arrangement gives them real space to breathe.
  • Balance the sax soli so it cuts through the ensemble without sounding thin. These voices carry harmonic color that makes the piece shimmer.
  • If your ensemble attempts improvisation in the open solo section, rehearse it more than you think you need to. Even Grade 2.5 players can make surprising music when they know the changes cold.

How to use it

Pair it with other Saint-Saëns classics (the Introduction and Rondo Capriccioso, for instance) in a program that explores how a single composer's voice translates across idioms, or program it alongside period-appropriate big-band arrangements to trace the continuum from classical melody to jazz sophistication. The Halloween hook is undeniable, but the real content makes it work any time of year.

Skills your students will build

  • Swing interpretation and jazz phrasing in a classical melody
  • Reading and executing plunger mute articulation and expressiveness
  • Comping and ensemble balance in a multi-soloist texture
  • Improvisation within a defined harmonic structure (with transcribed reference solos)
  • Ensemble rhythmic precision under complex syncopation

You May Also Like