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Danse Infernale: String Orchestra Conductor Score

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Danse Infernale: String Orchestra Conductor Score

By Elliot Del Borgo

Grade: 3

Item: 98-ST6030S

$11.00
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Description
Spanning several different musical styles, this exciting new work from Elliot Del Borgo makes use of a driving rhythm. With easy harmonics and mutes, the lyrical middle section is extremely well scored; a departure from the thick sound of the full ensemble. A must for concert or festival repertoire.

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Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 241444542606
SKU: 98-ST6030S

More about this title

About the Composer: Elliot Del Borgo

Elliot Del Borgo has built a reputation as a composer who understands the pedagogical needs of school ensembles without compromising musical substance. His works span multiple genres and ensemble types, and he consistently writes with an ear for what sounds effective in the rehearsal room while remaining genuinely musical.

Del Borgo's compositional approach balances accessibility with sophistication. He crafts pieces that challenge students across different ability levels within a single ensemble, allowing directors to feature various sections while keeping the overall texture coherent and engaging.

Why we love this

Del Borgo's structural instinct shines here: the contrast between the driving opening and the delicate middle section forces your orchestra to make real musical choices rather than just powering through. The orchestration in the lyrical section demonstrates how much transparency you can achieve with strings when you trust your students to listen to each other, and that's a lesson worth teaching.

What to expect

Infernal energy gives way to an intimate, ethereal moment before erupting again. The piece moves between visceral and delicate without apology, demanding your orchestra shift gears both rhythmically and texturally.

Who it's for

String orchestras at the intermediate level who are ready to tackle stylistic variety and dynamic contrast. This work rewards ensembles that have solid rhythmic foundation and are developing sensitivity to color and texture.

How to get the most out of it

  • The driving rhythm in the outer sections anchors the ensemble; have your principal string players lock this pulse early so the accompaniment parts follow naturally rather than feeling forced.
  • Bring out the harmonic color in the middle section by checking intonation on the muted passages first without vibrato, then add vibrato gradually to ensure the students are playing in tune, not just vibrating.
  • Contrast matters most here: rehearse the muted middle section at full dynamic before you pull back to pp, so your students understand the energy they're pulling away from.
  • The transition back to the driving rhythm needs a clear reentry point; mark it visually in the score and give your orchestra a preparatory gesture so they catch the sudden shift without stumbling.

How to use it

Program this as the second work on a concert to show your orchestra's range, or use it as the centerpiece of a festival program where the contrast between sections will grab an adjudicator's attention. The driving opening makes it a natural choice to open a program energetically, with the middle section providing the breathing room before a closing work.

Skills your students will build

  • Dynamic contrast and stylistic shift within a single piece
  • Playing with clarity and rhythmic precision under a driving pulse
  • Intonation and tone quality in muted passages with light scoring
  • Listening to harmonic balance when the texture thins

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