Danse Infernale: String Orchestra Conductor Score & Parts

$75.00 USD

Danse Infernale: String Orchestra Conductor Score & Parts

Name: Danse Infernale: String Orchestra Conductor Score & Parts
Brand: Alfred Music
SKU: 98-ST6030
Price: 75.00 USD
Availability: InStock

By Elliot Del Borgo

Grade: 3

Item: 98-ST6030

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Spanning several different musical styles, this exciting new work from Elliot Del Borgo makes use of a driving rhythm. With easy harmonics and mutes, the lyrical middle section is extremely well scored; a departure from the thick sound of the full ensemble. A must for concert or festival repertoire.

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Series: FJH String Orchestra

Publisher: The FJH Music Company, Inc.

UPC: 674398211517

SKU: 98-ST6030

More about this title

About the Composer: Elliot Del Borgo

Elliot Del Borgo has established himself as a prolific composer and arranger with deep roots in music education. His catalog spans instrumental works across multiple ensembles, with particular strength in writing that balances accessibility with musical substance for student and developing orchestras.

Del Borgo's approach to composition prioritizes clarity of texture and purposeful orchestration. His works are known for engaging rhythmic writing and carefully considered voice-leading that rewards both conductor and performer.

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Why we love this

This score delivers genuine drama without overcomplicating the ensemble's job. The stylistic shifts feel organic rather than stacked on top of each other, and the lyrical center gives your string players a chance to breathe and sing before the energy returns. At Grade 3, it's genuinely competitive material for festival consideration.

What to expect

The opening establishes a kinetic urgency that propels through the first section. The middle unfolds with transparency and lyricism, letting individual voices emerge before the ensemble reassembles into something darker and more driven. It feels like a complete narrative rather than a collection of moments.

Who it's for

String orchestras at Grade 3 level seeking repertoire with genuine musical variety and contest viability. This works equally well for ensembles preparing for festival adjudication or programming a concert that needs energy and textural sophistication.

How to get the most out of it

Keep the opening rhythmic drive propulsive but not rushed; the driving quality comes from precision, not tempo creep.
Shape the middle section's dynamics generously. The contrast between full ensemble and reduced texture is where the writing shows its craft; resist keeping dynamics timid.
Balance mutes and harmonics so they register clearly rather than disappearing into the texture. Rehearse these technical elements separately before integrating them into full runs.
Attend to the transition back to full ensemble from the lyrical section; mark it clearly in parts so the ensemble recognizes the pivot point.

How to use it

Reserve this for a concert where it can anchor an opening slot or a segment that benefits from high-energy contrast. It pairs well with quieter lyrical works on either side and works particularly well as a festival piece where you need an impression that reads as both polished and alive.