Dance the Night Cover Image

Dance the Night: Choral Octavo SoundTrax CD

$29.99 USD
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Dance the Night Cover Image

Dance the Night: Choral Octavo SoundTrax CD

Recorded by Dua Lipa for Barbie

Words and music by Dua Lipa, Andrew Wyatt, Mark Ronson, and Caroline Ailin / arr. Alan Billingsley

Item: 00-51177

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Description
Dua Lipa rocked movie theaters around the world with her thrilling contribution to the Barbie soundtrack! Destined to become an icon of disco-pop style, the catchy, rhythmic hook and good-time lyrics make you want to move and groove. Your choir will have a blast, and your audience is sure to be on their feet! Don't miss Alan's soundalike SoundTrax accompaniment.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081582146
SKU: 00-51177

More about this title

About the Composer: Dua Lipa

Dua Lipa is a Kosovar-British singer and songwriter who emerged in the mid-2010s as a dominant force in pop music. Her work spans dance-pop, disco influences, and contemporary songwriting, earning her multiple Grammy Awards and international recognition. She co-wrote "Dance the Night" with Andrew Wyatt, Mark Ronson, and Caroline Ailin for the Barbie soundtrack, capturing the film's playful energy through infectious rhythmic hooks and celebratory lyrics.

Why we love this

Alan Billingsley's choral arrangement of this pop phenomenon nails the disco-funk groove that made the original irresistible, while keeping the vocal writing accessible and fun for mixed choirs. The SoundTrax accompaniment sits perfectly in the pocket, so your singers can focus on locking into the rhythmic energy and attitude rather than battling their own intonation. This is the kind of contemporary repertoire that actually excites student singers because they already love the song, which means they'll bring genuine enthusiasm and engagement to rehearsal.

What to expect

Infectious, celebratory, and impossible to sit still through. The disco-pop DNA creates an irresistible forward momentum, with rhythmic drive and a party-ready spirit that makes both singers and listeners want to move. It's the musical equivalent of a good time unfolding in real time.

Who it's for

Choirs looking for contemporary repertoire that energizes singers and audiences alike. This works especially well for mixed ensembles seeking accessible pop arrangements that don't sacrifice musicality for accessibility, or any group wanting to program something that connects with current musical culture.

How to get the most out of it

  • Lock the rhythmic precision early. The hook's appeal lives in its tight syncopation, so spend time drilling the exact placement of notes against the accompaniment rather than treating it as flexible.
  • Lean into the disco-pop attitude without oversinging. The style thrives on groove and pocket, not volume; encourage singers to support their tone but sing with infectious confidence rather than classical intensity.
  • Use the SoundTrax to establish the groove before asking singers to internalize it. Play it during rehearsals until the rhythmic feel becomes muscle memory, then gradually reduce dependency so the choir can own the pocket.
  • Balance the hook's repetition as a feature, not a flaw. The catchy melodic line is meant to lodge itself in listeners' ears, so treat each repetition as an opportunity to refine energy and articulation rather than coast.

How to use it

Perfect for a spring or end-of-year concert where you want to close on a high-energy, feel-good note that sends audiences out smiling. Program it after more traditional selections to showcase your choir's range and contemporary relevance, or use it as a centerpiece for a pop-music showcase concert that celebrates current musical culture.

Skills your students will build

  • Syncopated rhythmic precision in pop and funk contexts
  • Singing with groove and pocket against a recorded accompaniment
  • Balancing stylistic interpretation (pop attitude) with choral blend
  • Locking into disco-influenced rhythmic feels

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