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Dance Miniatures: Piano Book

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Dance Miniatures Cover Image

Dance Miniatures: Piano Book

By Margaret Goldston

Level: Elementary

Item: 00-6596

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Description
This solo piano collection contains seven little dances in various styles for elementary students. Each piece uses one five-finger position with occasional shifts out of position. Students in the first or second level of their piano method can use this collection for that special recital solo or for supplementary sight reading.

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Additional Details
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7390-0496-4
ISBN13: 978-0-7390-0496-8
UPC: 038081020464
SKU: 00-6596

More about this title

About the Composer: Margaret Goldston

Margaret Goldston

Margaret Goldston (1932-2003) built her career as both a composer and piano educator, leading a private studio in North Carolina that served students across all age ranges and proficiency levels. She held a Bachelor of Music degree in piano performance from Louisiana State University, where she was later recognized as School of Music Alumnus of the Year in 1991. Her compositional voice developed through private study with Robert Pulitzer Prize-winning composer Robert Ward, and she received a commission from Clavier Magazine in 1990.

Goldston earned widespread recognition within music education circles, receiving the Composer of the Year award from the North Carolina Federation of Music Clubs in both 1983 and 1994. She actively shaped the profession through masterclasses, clinics, and teacher workshops across the United States and Canada, and served as a convention speaker for the NFMC. Her legacy includes posthumous honoring as a Foundation Fellow by the Music Teachers National Association in 2020. Her compositions remain staples on contest bulletins, particularly in the National Federation of Music Clubs Junior Festivals.

Why we love this

Goldston understands what young pianists need at the moment they're learning to play independently. These seven pieces stay rooted in a single position on the keyboard while introducing genuine musical variety, so students can focus on reading and expression rather than hand placement anxiety. Each dance carries its own character and style, giving you real programming options for a first solo recital without assigning repetitive exercises.

What to expect

Goldston's miniatures sparkle with clarity and intention. Each dance captures a distinct musical personality—some are cheerful and bouncing, others more stately—while maintaining the accessible, transparent textures that make them gratifying to play rather than frustrating. The five-finger position framework becomes a launching point for real musicmaking, not a limitation.

Who it's for

This collection serves elementary piano students who are solidifying their skills on the early pages of a method book and ready for their first recital repertoire. Teachers will value it both as a performance vehicle and as supplementary sight-reading material that reinforces hand position work without overwhelming beginners with technical demands.

How to get the most out of it

  • Match the tempo and articulation to the style of each dance. A crisp march requires different pedal and touch choices than a flowing waltz.
  • Keep the accompaniment figures in the left hand textural and light so the melody can sing. These pieces live or die by their musical clarity.
  • Pay attention to where the occasional position shifts occur. Mark them in the score so you're not surprised during performance.
  • Use the collected styles as opportunities to explore character: playfulness in one piece, formality in another, lilt in a third.

How to use it

Feature one or two of these pieces in an early-level student recital, pairing them with other method book repertoire to showcase the range of styles beginners can access. You can also assign them sequentially throughout a year as supplementary sight-reading that reinforces hand position while building confidence in musical phrasing.

Skills your students will build

  • Reading and staying in a five-finger position with purposeful hand shifts
  • Performing simple accompaniment figures that support a melody
  • Recognizing and executing basic musical styles (march, waltz, dance forms)
  • Phrasing and shaping melodies with appropriate articulation and touch
  • Sight-reading rhythmic and melodic patterns in major keys

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