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Dance-A-Jig: Saxophone Duo & Ensemble, Quintet, Score and Parts

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Dance-A-Jig Cover Image

Dance-A-Jig: Saxophone Duo & Ensemble, Quintet, Score and Parts

By Percy Hall

Grade: 1

Item: 36-20454456

$10.00
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Description
The tune is original, but based on the rhythm, meter and style of an Irish jig. However, it is more of a concert jig than one for dancing because of the ritards and a tempi, which also make it a more significant musical experience in the skill of ensemble playing. Keys are D and G major, and the meter is 6/8. There is plenty of activity for all five voices. It is scored for 2 altos, 2 tenors and baritone, but an optional 3rd alto part is included to replace the 1st tenor. The pitches not slurred should be lightly tongued, which is a challenge for the developing saxophone players.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-891456-6
ISBN13: 978-1-57-891456-2
UPC: 654690616319
SKU: 36-20454456
Instrumentation: Saxophone Quintet

More about this title

Why we love this

Dance-A-Jig captures the rhythmic energy of traditional Irish music while pushing your ensemble to develop real musical control. The combination of lightly tongued passages and strategic ritards transforms what could be a straightforward folk arrangement into a piece that demands attention to texture, balance, and phrasing—skills that transfer directly to any chamber repertoire.

What to expect

Bright and perky on the surface, but with enough musical substance to keep listeners engaged. The Irish jig foundation gives the piece instant character and forward momentum, while the ritards and tempo variations add moments of introspection that prevent it from feeling like a simple folk transcription.

Who it's for

Intermediate saxophone ensembles ready to move beyond rhythmic basics into genuine ensemble listening and control. This quintet works for both school programs building chamber experience and studio settings where mixed-level saxophonists need collaborative repertoire with real musical challenges.

How to get the most out of it

  • Distinguish light tonguing from slurred passages by rehearsing tonguing techniques separately. Have players practice the articulated figures at a slow tempo first, then gradually increase speed to build precision and confidence.
  • Balance the five voices evenly during sections of high activity. Mark rehearsal numbers or sections where multiple parts carry motivic material so no saxophone gets buried beneath the texture.
  • Use the ritards and tempo changes as rehearsal landmarks. Block out these transitions early so the ensemble can lock in the pulse shifts without rushing or dragging into the next section.
  • Emphasize the 6/8 pulse by having the rhythm section (tenor and baritone) anchor the groove with a clear, consistent feel. This foundation gives the altos freedom to shape their lines expressively.

How to use it

Schedule this as a concert opener or mid-program change of pace. It sits comfortably between heavier classical chamber works and provides an accessible entry point for audiences unfamiliar with saxophone chamber music. The piece also works well in informal settings such as student recitals or community outreach events where its charm and energy shine.

Skills your students will build

  • Light tonguing articulation and control of attack definition
  • Reading 6/8 meter and Irish jig rhythm patterns
  • Ensemble balance and voice independence in five-part writing
  • Responding to tempo changes and ritards with ensemble cohesion
  • Musical phrasing and expression within a dance form

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