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Curtain Up!: String Orchestra Conductor Score

$10.00 USD
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Curtain Up! Cover Image

Curtain Up!: String Orchestra Conductor Score

By Brian Balmages, Soon Hee Newbold, Lauren Bernofsky, Carrie Lane Gruselle

Grade: 1

Item: 98-ST6263S

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Description
For directors on a budget, we are pleased to offer this exciting collection of four pieces at one low price that work well as a full concert program. The set contains pieces in a variety of styles including Renaissance, novelty, programmatic, and folk. Titles include: Courtly Dance and Procession (Balmages), Hiawatha (Newbold), The Cuckoo Clock (Bernofsky), and Sourwood Mountain (Gruselle).

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Additional Details
Series: FJH Beginning Strings
Publisher: The FJH Music Company, Inc.
UPC: 241444565926
SKU: 98-ST6263S

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has established himself as a composer and conductor working across orchestral, band, and chamber music with equal command. His works have reached audiences from elementary school auditoriums to Carnegie Hall, the Kennedy Center, and the Sydney Opera House, earning him the A. Austin Harding Award from the American School Band Directors Association and a place in the American Bandmasters Association.

Beyond composition, Balmages maintains an active guest conducting schedule with all-state ensembles, university orchestras, and professional groups worldwide. He has received commissions from major institutions, including the University of Miami for its presidential inauguration, and his music was performed at the 2013 Presidential Inaugural Prayer Service. He currently serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.

Why we love this

This collection gives you four stylistically distinct pieces that function as a complete concert program without the time investment of programming scattered single pieces. Grade 1 accessibility means your ensemble can learn and perform at a polished level quickly, freeing rehearsal time for other priorities rather than stretching to reach more complex repertoire. The variety across Renaissance, novelty, programmatic, and folk styles keeps both players and audiences engaged.

What to expect

The collection unfolds like a musical journey through time and style. You begin with courtly elegance, move through a sweeping narrative inspired by Longfellow, experience the whimsy of a mechanical clock, and end with the earthy character of Appalachian folk tradition. Each piece has its own personality while remaining accessible and rewarding to play.

Who it's for

Beginning string orchestras and conductors seeking a full concert program at the Grade 1 level without purchasing multiple separate pieces. This collection works for elementary and middle school groups, community orchestras, and university prep programs looking to program a variety concert quickly and affordably.

How to get the most out of it

  • Balance the ensemble carefully in the Renaissance and folk pieces, where transparent textures expose intonation issues. Have players listen across the sections rather than just within their own parts.
  • The novelty and programmatic titles benefit from committed character work. Encourage players to imagine the scene or scenario described in each piece and shape phrasing accordingly.
  • Mark measure numbers and rehearsal letters clearly in your score so sectional rehearsals stay organized and efficient.
  • Use the contrasting tempos and textures between pieces to create natural transitions during the concert and allow the ensemble time to reset between selections.

How to use it

Program these four pieces as a complete concert or as the main thrust of a family concert that introduces audience members to musical variety. The Grade 1 level allows you to feature younger students or newer ensembles with confidence. Alternatively, use individual pieces from the set to anchor different points in the school year or concert calendar.

Skills your students will build

  • Reading and maintaining consistent tempo across multiple pieces in different meters and tempos
  • Listening across sections to balance ensemble sound in Renaissance and folk textures
  • Shaping melodic phrases and understanding character in programmatic and novelty writing
  • Managing entries and cutoffs in pieces with varied scoring and orchestration

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