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Curtain Up!: Concert Band Conductor Score

$18.00 USD
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Curtain Up!: Concert Band Conductor Score

Complete Concert Starter Series Vol. 1

By William Owens, Timothy Loest, Brian Balmages

Level:.5

Item: 98-B1495S

$18.00
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Description
For directors on a budget, we are pleased to offer this exciting collection of four pieces at one low price. Designed to work well as a full concert program, these pieces represent a variety of styles and composers for a well-balanced program! Titles include: Synergy March (William Owens), Court of the Noble Trumpeteers (Timothy Loest), Midnight Mission (Brian Balmages), and Samba La Bamba (William Owens).

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Additional Details
Series: FJH Starter Series
Publisher: The FJH Music Company, Inc.
UPC: 241444499450
SKU: 98-B1495S

More about this title

About the Composer: William Owens

William Owens

William Owens brings three decades of band directing experience to his work as a prolific composer. A VanderCook College of Music graduate, he has created over 300 works for concert band, string orchestra, and chamber ensembles since 1993. His compositions are known for their practical craftsmanship and have become staples in young band programs across North America and internationally.

Owens has earned recognition from the Texas Bandmasters Association and his alma mater as a Distinguished Alumnus. He holds memberships in ASCAP, the Texas Music Educators Association, and Phi Beta Mu International Bandmasters Fraternity. His work has been analyzed in educational texts and appears on required music lists nationwide. After retiring from full-time teaching in Texas, Owens continues to compose and clinics actively throughout North America.

Why we love this

Four pieces at one low price lets you program a complete, stylistically varied concert without stretching the budget. The collection balances march energy, baroque-inspired writing, contemporary action music, and Latin rhythms, giving your students exposure to multiple compositional approaches in a single rehearsal sequence. All four works sit comfortably at the half-level, meaning your entire ensemble stays engaged without tedious parts.

What to expect

You move from the crisp propulsion of a march into the courtly elegance of trumpet flourishes, then shift into contemporary rhythmic energy before landing in the infectious groove of Latin percussion and melody. The collection spans from classical refinement to modern vitality, keeping both ensemble and audience engaged throughout.

Who it's for

This collection works perfectly for concert bands at the half-level who need a complete, balanced program without buying four separate octavos. Directors looking to offer variety while managing rehearsal time and budget constraints will find this package immediately usable. It's equally valuable for programs building their repertoire library or introducing students to different musical styles and compositional voices.

How to get the most out of it

  • Balance the march characteristics in Synergy March by letting the bass line drive the pulse while keeping the melody clear and confident.
  • Shape the baroque-influenced passages in Court of the Noble Trumpeteers with careful attention to articulation; clarity here pays dividends.
  • Lock the rhythmic precision in Midnight Mission early so the contemporary rhythmic language sits solidly before you refine dynamics and texture.
  • Feature your percussion section in Samba La Bamba; the Latin groove depends on their infectious timekeeping and sense of groove.

How to use it

Program these four pieces in sequence to create a satisfying arc across a full concert. The opening march sets an energetic tone, the baroque-influenced piece offers contrast and sophistication, the contemporary work showcases your ensemble's rhythmic flexibility, and the Latin finale leaves audiences with infectious joy. Alternatively, scatter them across multiple concerts throughout the year as you build your students' technique and confidence at the half-level.

Skills your students will build

  • march style conventions and strong rhythmic drive
  • baroque articulation and phrasing in a band context
  • contemporary rhythmic precision and syncopation
  • Latin/Caribbean rhythm patterns and percussion integration
  • dynamic control and balancing multiple melodic lines

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