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Curtain Up!: Concert Band Conductor Score & Parts

$100.00 USD
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Curtain Up!: Concert Band Conductor Score & Parts

Complete Concert Starter Series Vol. 1

By William Owens, Timothy Loest, Brian Balmages

Level:.5

Item: 98-B1495

$100.00
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Description
For directors on a budget, we are pleased to offer this exciting collection of four pieces at one low price. Designed to work well as a full concert program, these pieces represent a variety of styles and composers for a well-balanced program! Titles include: Synergy March (William Owens), Court of the Noble Trumpeteers (Timothy Loest), Midnight Mission (Brian Balmages), and Samba La Bamba (William Owens).

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Additional Details
Series: FJH Starter Series
Publisher: The FJH Music Company, Inc.
UPC: 674398229369
SKU: 98-B1495

More about this title

About the Composer: William Owens

William Owens

William Owens brings three decades of classroom experience to his compositions, having spent 30 years as a band director in Texas before his 2014 retirement. A VanderCook College of Music graduate, he has established himself as a prolific voice in young band writing, with over 300 published works that balance accessibility with musical substance. His output appears on state music lists across the country and has become standard repertoire in thousands of programs.

Owens' approach to composition stems from deep understanding of what actually works in rehearsal. He holds memberships in ASCAP and Phi Beta Mu International Bandmasters Fraternity, and has received commissions from regional colleges and the American Bandmasters Association. His ability to craft engaging music that doesn't talk down to young musicians has earned him recognition as a Distinguished Alumnus of his college and a recipient of the Texas Bandmasters Association's Meritorious Achievement Award.

Why we love this

Four pieces, one invoice, and a coherent 45-50 minute program ready to rehearse. This collection assembles genuine variety (march, processional, mission-style narrative, and Latin energy) without forcing thematic connections or asking students to learn radically different musical languages back-to-back. It's the kind of thoughtful curation that saves planning hours and delivers a satisfying arc from start to finish.

What to expect

A program that breathes. The march opens with crisp confidence, the processional brings ceremony and dignity, the mission piece carries dramatic momentum, and the samba lands with infectious rhythmic joy. Students move from classical phrasing to contemporary energy without the rehearsal hours normally required to shift stylistic gears.

Who it's for

Band directors working with developing ensembles who need a complete concert ready in one purchase. This collection works equally well for fall or winter programs and suits groups just gaining confidence with part independence and balanced voicing.

How to get the most out of it

  • Start with the march to establish solid ensemble fundamentals before tackling the more stylistically diverse pieces that follow.
  • The Samba La Bamba arrangement invites careful rhythmic precision in the ensemble; isolate syncopated passages early and lock the foundation before adding color parts.
  • Record run-throughs of the full program once rehearsal is underway so students hear how transitions between contrasting styles affect pacing and attention.
  • Midnight Mission benefits from clear sectional leadership; make sure section principals understand the underlying harmonic motion so they can shape individual lines with direction.

How to use it

Program this as a complete first half or full concert for groups preparing their first full-length performance. The variety ensures ensemble and audience engagement across the entire duration. Alternatively, pull individual pieces to anchor different concert themes throughout the year, using the collection as a reliable reference set.

Skills your students will build

  • Precision in march rhythm and style conventions
  • Lyrical phrasing and dynamic shaping in processional writing
  • Latin ensemble rhythms and clave-based accompaniment patterns
  • Sectional independence and balanced blend across four contrasting musical contexts
  • Sustained attention across longer concert structures

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