Current Hits for Students, Book 1 Cover Image

Current Hits for Students, Book 1: Piano Book

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Current Hits for Students, Book 1 Cover Image

Current Hits for Students, Book 1: Piano Book

7 Graded Selections for Late Elementary Pianists

Arranged by Carol Matz

Level: Late Elementary

Item: 00-38934

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Description
Current Hits for Students, Book 1, includes accessible arrangements of pop hits by Katy Perry, Justin Bieber, Miley Cyrus, Bruno Mars, Kelly Clarkson and Lady Antebellum. Arranged for late-elementary students, key signatures contain no more than one flat, triplets are avoided, and time signatures are limited to 4/4 or 3/4. Titles: Baby * Breakaway * Firework * Just the Way You Are (Amazing) * Lily's Theme (from Harry Potter and the Deathly Hallows, Part 2) * Need You Now * Party in the U.S.A.

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Additional Details
Series: For Students
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-8629-4
ISBN13: 978-0-7390-8629-2
UPC: 038081432205
SKU: 00-38934

More about this title

About the Arranger: Carol Matz

Carol Matz

Carol Matz brings twenty-plus years of piano teaching experience to her arrangement work. She has created and published more than 300 titles for piano students, grounded in deep knowledge of what works in the studio and what engages learners at every level. Her studies in composition, arranging, and orchestration at the University of Miami inform her ability to write idiomatically across many genres and ensembles, from orchestral scores to jazz big bands to chamber music.

Matz is recognized internationally for her Famous & Fun series and has led piano pedagogy workshops in the United States, Canada, England, New Zealand, and Australia. Her studio work on commercial recordings in Miami has sharpened her ear for contemporary arrangement techniques and popular music styles. This combination of formal training, teaching acumen, and real-world studio experience shapes every arrangement she creates for students.

Why we love this

These arrangements nail the balance between authentic pop sound and playable technique. Matz respects the iconic hooks and structures of each hit while staying true to late-elementary limitations, making students feel like they're performing real songs rather than simplified exercises. The collection pairs well with recital programming because each title is short enough to program multiple students on a single concert without fatigue.

What to expect

Bright, energetic, and utterly current. These arrangements capture the spirit of radio hits with straightforward harmonic progressions and memorable melodies that sit naturally under the hands. Playing through this collection feels like stepping into the world of contemporary pop, not working through an exercise book.

Who it's for

Late-elementary piano students who thrive on contemporary repertoire and want to play music they hear on the radio. This book works for students in group classes or private lessons who need accessible arrangements that still sound genuinely musical. It is also useful for teachers seeking recital pieces that keep student motivation high without introducing technical barriers.

How to get the most out of it

  • Lean into the rhythmic lift of these pop melodies; avoid a metronomic approach even in straightforward 4/4 sections.
  • Use the left hand to anchor rhythmic energy rather than playing mechanically through harmonic changes.
  • Balance melody clarity with the accompaniment pattern so the song's hook always comes through.

How to use it

Build a student recital around multiple selections from this book and showcase different contemporary voices and styles in a single concert. Alternatively, use individual pieces as warm-up repertoire for technique-focused lessons or as rewards after completing a method book unit. The variety of tempos and styles makes this collection ideal for mixed-level group studio classes.

Skills your students will build

  • Reading within one-flat key signatures
  • Executing simple left-hand accompaniment patterns in 4/4 and 3/4
  • Phrasing pop melodies with appropriate rubato and rhythmic feel
  • Balancing melody projection with accompaniment support
  • Building sight-reading fluency across accessible contemporary repertoire

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