Cumberland Cross Cover Image

Cumberland Cross: Concert Band Conductor Score & Parts

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Cumberland Cross Cover Image

Cumberland Cross: Concert Band Conductor Score & Parts

By Carl Strommen

Grade: 4 (Medium Difficult)

Item: 00-12974

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Description
You'll really get a nice sound with this one! Carl's original work explores the rich American folk style in two sections. The first has broad, moving harmonies under a Shenandoah-like melody, and the second a lively dance reminiscent of Copland. "Cumberland Cross" is not too difficult, yet very impressive! This title is available in MakeMusic Cloud. (3:30)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Cumberland Cross: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Concert Band
Publisher: Alfred Music
Page Count: 136
ISBN10: 1-4706-5296-X
ISBN13: 978-1-4706-5296-8
UPC: 038081125510
SKU: 00-12974

More about this title

About the Composer: Carl Strommen

Carl Strommen

Carl Strommen stands among the most frequently performed composer/arrangers in concert halls, on screen, and in broadcast media. His catalog spans band, orchestra, jazz ensemble, and vocal music, and his work receives steady recognition through annual ASCAP Standard Writers Awards, reflecting the consistent quality and marketability of his compositions.

Why we love this

Strommen captures American vernacular music without sentimentality or oversimplification. The piece gives a Grade 4 ensemble genuine musical weight: the orchestration in the first section feels spacious and mature, while the second section delivers the kind of rhythmic vitality that energizes both players and audiences without requiring advanced technical chops.

What to expect

The opening unfolds with a lyrical warmth rooted in American folk tradition; broad harmonies create an almost hymn-like reverence. The second section shifts into buoyant, danceable energy that recalls Copland's rhythmic vitality without abandoning the melodic grace established earlier.

Who it's for

Conductors programming concert or festival performances at the intermediate level who want substantial musical content without excessive technical demands. The piece works equally well for bands strengthening their grasp of American musical language and for ensembles seeking repertoire that impresses audiences without requiring weeks of sectional work.

How to get the most out of it

  • Shape the opening Shenandoah-like melody with a gentle arch across phrases rather than rigid sectional breaks; let the harmony underneath breathe alongside the tune.
  • Bring clarity to the texture in the second section by tightening rhythmic unison in the ensemble, especially where the dance idiom emerges.
  • Balance the lower voices in the first section so the harmonic foundation supports but never drowns the melody.

How to use it

Position this as an anchor work in a concert celebrating American compositional traditions, or program it as a contrasting centerpiece between a classical overture and a more contemporary selection. Its three-and-a-half-minute arc fits cleanly into festival schedules and concert pacing.

Skills your students will build

  • Sustaining lyrical phrasing over harmonic progressions
  • Ensemble balance in varied textures (sparse harmony versus full-voiced sections)
  • Rhythmic precision in dance idioms and syncopated passages
  • Stylistic awareness of American folk and Americana musical language

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