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Cry Out and Shout: TTBB, <I>a cappella</I> Choral Octavo

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Cry Out and Shout Cover Image
Cry Out and Shout: TTBB, a cappella Choral Octavo

Cry Out and Shout: TTBB, a cappella Choral Octavo

Music by Knut Nystedt / arr. Tim Sarsany

Item: 00-48418
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Description
Now available in SSAA and TTBB voicings. Alfred Music commends Dr. Timothy Sarsany for his scholarly adaptations of this long-standing favorite of honor choirs and festival groups. New voicings are carefully crafted to reflect the original. A joyful, tried-and-true a cappella fanfare, not to be missed!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Cry Out and Shout: TTBB, a cappella Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Lawson-Gould
Publisher: Alfred Music
Page Count: 8
UPC: 038081552415
SKU: 00-48418

More about this title

About the Composer: Knut Nystedt

Knut Nystedt (1915-2011) was a Norwegian composer whose sacred choral works have become cornerstones of the a cappella repertoire. His compositional voice combined modernist harmonic language with deep reverence for liturgical texts, creating pieces that challenge singers while remaining deeply musical and singable.

Nystedt's choral output spans decades and has earned worldwide recognition among festival and honor choirs. His works are studied for their sophisticated voice leading, inventive use of texture, and ability to transform familiar texts into fresh musical experiences. Educators and singers return to his compositions repeatedly because they reward careful study and deliver profound performances.

Why we love this

Nystedt's original composition carries the kind of musical authority that makes singers sit up and pay attention. Tim Sarsany's TTBB adaptation honors the work's integrity while recognizing that lower voices deserve access to this standard repertoire. You get a piece that sounds substantial, feels rewarding to rehearse, and impresses adjudicators and audiences alike.

What to expect

A cappella clarity with architectural strength. The piece opens as a radiant fanfare and unfolds with joyful energy, built on rock-solid harmonic foundations. Nystedt's voice leading creates moments of surprising brightness and depth, keeping both singers and listeners engaged throughout.

Who it's for

TTBB choirs seeking substantial sacred a cappella repertoire for festivals, honor choir reading sessions, and concert programming. This works equally well for men's chamber choirs with strong independent singers and large festival ensembles looking for a piece that showcases blend and control.

How to get the most out of it

  • Shape the opening fanfare with clear articulation and rhythmic precision; the piece's joy depends on crisp ensemble attacks rather than sustained legato singing.
  • Balance the harmonic density carefully across all four parts, especially in fuller moments where lower voices can easily dominate middle voices.
  • Mark phrase endings with gentle breath points rather than full releases; continuity of line matters as much as clarity of form.
  • Listen for the independence of each voice part during rehearsal; Nystedt's writing often has melodic interest distributed across all four lines, not just the top voice.

How to use it

Program this as a concert opener or centerpiece for a sacred choral set; it works equally well as a festival sight-reading piece where its formal clarity and engaging melodic material inspire singers. The eight-page length makes it substantial enough to anchor a program section without demanding excessive rehearsal time relative to its impact.

Skills your students will build

  • Singing independent melodic lines within rich harmonic texture
  • A cappella intonation and blend in complex harmonic progressions
  • Balance between rhythmic precision and legato phrase singing
  • Reading and executing modernist harmonic language with confidence

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