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Crossover Pieces for Saxophone: Tenor or Soprano Saxophone Book & CD

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Crossover Pieces for Saxophone Cover Image

Crossover Pieces for Saxophone: Tenor or Soprano Saxophone Book & CD

By Peter Lehel

Item: 01-ADV7153

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Description
Crossover Pieces for Saxophone by Peter Lehel offers the saxophonist a most varied stylistic palette of concert pieces in combination with comprehensive and illustrative information on the structure of the compositions with regard to composition techniques, melody, harmony, and ideas for improvisation. Additionally, the book presents essential and creative exercises based on the individual pieces, which aim at improving the saxophone players' performance and at helping them delve deeper into the secrets of music.

Titles: Cuel Bloo (Hip Hop) * B-Flat-A-Loogoo (Boogaloo) * Shades of Light (Latin Pop Jazz) * Funk-A-Lot (Funk) * Anima (Modern Jazz Ballad) * Eddie Who? (Eddie Harris Style) * Shuffle, Shuffle (Shuffle Blues) * Soulitude (Bossa Nova) * Bolero for a Bird (Bolero) * Cake Waltz (Latin Jazz Waltz).

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Additional Details
Series: Advance Music
Publisher: Advance Music
ISBN10: 3-892211-26-4
ISBN13: 978-3-892211-26-6
UPC: 805095071535
SKU: 01-ADV7153
Instrumentation: Tenor or Soprano Saxophone

More about this title

About the Composer: Peter Lehel

Peter Lehel is a saxophonist and composer who has dedicated himself to expanding the pedagogical and artistic possibilities of the saxophone across multiple idioms. His work bridges classical technique with jazz and contemporary styles, creating educational material that treats each genre with authenticity and respect.

Lehel's approach to composition emphasizes learning through listening and analysis. By pairing fully realized concert pieces with structural breakdowns and improvisation frameworks, he shows students how the mechanics of composition translate directly into expressive playing across different musical worlds.

Why we love this

Lehel constructs a genuinely useful bridge between classical saxophone study and the jazz and contemporary idioms most students actually want to play. Each piece anchors itself in a distinct style while teaching specific compositional devices, so students aren't just absorbing groove; they're decoding how melody, harmony, and structure function across genres.

What to expect

Ten distinct worlds unfold across these pages: you'll step from hip hop bounce into Latin grooves, smooth through a bossa nova, and navigate funk and ballad textures. Each piece carries its own flavor and rhythmic DNA, making the collection feel like a curated playlist rather than a workbook.

Who it's for

Tenor or soprano saxophonists at the intermediate level who are ready to move beyond classical and standard jazz repertoire into contemporary crossover styles. This book also suits students who want to understand the theory and structural logic behind the music they're learning, not just the mechanics of playing it.

How to get the most out of it

  • Study the structural commentary before diving into each piece. Lehel's analysis of composition techniques and harmonic movement will sharpen your phrasing choices and help you understand what makes each style distinct.
  • Use the recorded accompaniment to lock in the rhythmic pocket and harmonic context. Listen multiple times to internalize the groove before adding your own voice.
  • Work through the creative exercises tied to each piece as preparation, not as separate homework. These targeted studies address the specific technical and stylistic demands you'll encounter in the concert piece itself.
  • Explore the improvisation ideas Lehel suggests. Even if you're not an improviser yet, these frameworks show you where and how to personalize your interpretation within each style.

How to use it

Program individual pieces across the year as soloists in recitals or ensemble concerts where contemporary repertoire fits your artistic vision. The stylistic variety also makes these pieces ideal for demonstrating to students what a complete saxophonist's toolkit can include, or for creating a themed concert around 21st-century crossover aesthetics.

Skills your students will build

  • Idiomatic comping and phrasing in jazz, funk, boogaloo, and Latin styles
  • Reading and performing syncopated rhythms across hip hop, blues, and shuffle feels
  • Understanding harmonic movement and melody construction in contemporary contexts
  • Improvisation over chord changes and groove-based frameworks
  • Stylistic flexibility and code-switching between classical tone production and contemporary articulation

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