Croc Rock Cover Image

Croc Rock: String Orchestra Conductor Score

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Croc Rock Cover Image

Croc Rock: String Orchestra Conductor Score

By Andy Firth / arr. Bob Phillips

Grade: 2

Item: 00-25036S

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Description
Rock and roll for the young string orchestra! Australian Andy Firth's tune rocks out in this setting by Bob Phillips. Under the melody, the crocodile lurks - always there! A great piece to use for teaching all sections to go from lo 1 to 1. Each section has interesting and very playable parts that will sound great and be fun to play.

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Additional Details
Series: Belwin Beginning String Orchestra
Publisher: Alfred Music
Page Count: 8
UPC: 038081280882
SKU: 00-25036S

More about this title

Why we love this

Bob Phillips has arranged this Australian rock tune with real intelligence about young string players. Every section gets material that sits well on their instruments and contributes to the overall groove, which means everyone feels invested in the sound rather than doubling parts. The rhythmic drive is infectious without demanding advanced technique, making it the kind of piece that gets students excited to come to rehearsal.

What to expect

Playful and propulsive, with an undercurrent of mischief suggested by the lurking crocodile motif. The rock and roll energy keeps things fun and immediate, while the string writing maintains musical substance and doesn't lean on gimmicks.

Who it's for

Young string orchestras at the beginning level who are ready to move beyond traditional classical repertoire. This piece works well for ensembles that have solid rhythmic reading skills and want to explore contemporary idioms while staying within accessible technical range.

How to get the most out of it

  • Lock in the rhythmic foundation with your bass section first. Once the low end is solid and swinging, the rest of the ensemble will find the groove naturally.
  • Bring out the crocodile motif in the lower strings when it appears under the melody. It's a distinctive musical idea that students will enjoy tracking through the piece.
  • Encourage your violins to lean into the rock articulation in the melody line without losing their natural string tone. The energy should feel confident, not artificial.
  • Use dynamic contrast between sections to highlight the arrangement's interest. When one group has the main idea, let others support it with lighter accompaniment.

How to use it

Feature this as a bridge piece between traditional and contemporary repertoire on a concert. It pairs well with a classical selection and a hymn arrangement, giving your program variety and showing students the range of styles string orchestras can tackle.

Skills your students will build

  • Dynamic control and shaping across full ranges (lo 1 to 1)
  • Rock and roll rhythmic articulation on strings
  • Part independence within a layered harmonic texture
  • Reading and executing stylistic shifts within a single piece

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