Creep Cover Image

Creep: Marching Band Conductor Score

$8.00 USD
Sale price  $8.00 USD Regular price 
Skip to product information
Creep Cover Image

Creep: Marching Band Conductor Score

As Recorded by Radiohead

Words and music by Thom Yorke, Jonathan Greenwood, Philip Selway, Colin Greenwood, Edward O'Brien, Albert Hammond, and Mike Hazelwood / arr. Nick Baratta

Grade: 3

Item: 00-49635S

$8.00
Shipped

One moment…

Description
Here is Creep---the iconic grunge-rock tune from Radiohead in a brand new chart by veteran arranger Nick Baratta. (1:45)

Creep: Marching Band Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Mega Sounds for Marching Band
Publisher: Alfred Music
Page Count: 12
ISBN10: 1-4706-5178-5
ISBN13: 978-1-4706-5178-7
UPC: 038081572680
SKU: 00-49635S

More about this title

About the Composer: THOM YORKE

Thom Yorke is the lead vocalist and primary songwriter of Radiohead, the British rock band that fundamentally reshaped alternative music in the 1990s and beyond. His compositions balance angular, intricate rhythmic structures with emotionally raw lyrics, making them compelling both as rock records and as teaching tools for ensemble musicians learning to navigate complex textures and dynamics.

Why we love this

Nick Baratta's arrangement captures the raw emotional core of this modern classic while making it genuinely playable for Grade 3 musicians. The chart preserves the song's distinctive rhythmic tension and haunting melodic shape, giving students a chance to perform a track they actually recognize and care about.

What to expect

Haunting and introspective with moments of building intensity. The arrangement honors the original's unsettled quality, the feeling of anxiety and disconnection that made the song resonate across generations, while remaining direct and playable for intermediate-level musicians.

Who it's for

Directors programming a modern repertoire that speaks to students' musical lives, plus programs looking to introduce alternative rock and grunge into the concert setting. This works equally well for groups wanting accessible contemporary material or those building mixed-era programs that move beyond traditional classical fare.

How to get the most out of it

  • Lock the dynamic arc early in rehearsals. The piece builds from sparse, vulnerable sections to fuller textures; without clear consensus on where volume sits at each moment, the emotional trajectory flattens.
  • Pay attention to the rhythm section's pocket. The original's unease comes partly from the slight off-kilter feel of the drums and bass; precision alone will drain the song of character.
  • Balance the melody against supporting voices. The main hook needs to sing clearly, but harmony parts shouldn't disappear into the texture.
  • Use the 1:45 duration as a structural anchor. This is a tightly paced arrangement, so transitions between sections should feel deliberate, not rushed.

How to use it

This pairs naturally with other contemporary pop or rock arrangements, or use it as a concert closer that bridges to a talk about how modern songwriting shapes ensemble music. At Grade 3, it also serves as a smart gateway into more complex harmonic and rhythmic thinking without overwhelming inexperienced players.

Skills your students will build

  • Balancing melody and accompaniment across multiple sections
  • Playing with rhythmic tension and slight metric instability
  • Building and controlling dynamic shape over a full piece
  • Interpreting emotional intent in contemporary music
  • Ensemble cohesion in non-traditional rock textures

You May Also Like