Crazy In Love Cover Image

Crazy In Love

$53.00 USD
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Crazy In Love Cover Image

Crazy In Love

Words and music by Eugene Record, Richard Harrison, Beyoncé Knowles, and Sean Carter / arr. Doug Adams

Grade: 2 (Easy)

Item: 00-36462

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Description
One of Beyoncé's biggest hits in a very playable arrangement by Doug Adams. It has a great groove and one of the most recognizable brass licks ever. Check it out! (1:26)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Crazy In Love comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Easy Pops for Marching Band
Publisher: Alfred Music
Page Count: 128
UPC: 038081416465
SKU: 00-36462

More about this title

About the Composer: Eugene Record

Eugene Record was a prolific songwriter and producer who co-wrote some of the most enduring pop and R&B hits of the 1970s and beyond. His work with The Chi-Lites established him as a master of crafting infectious melodies and sophisticated arrangements that balanced commercial appeal with musical substance. Record's songwriting legacy extends far beyond his era, as his compositions have been sampled, covered, and reimagined by contemporary artists across multiple genres.

Why we love this

Doug Adams has distilled one of pop music's most iconic brass moments into an arrangement that sits comfortably at Grade 2, meaning your students get the genuine groove and that unforgettable hook without wrestling with complexity. The arrangement respects the original's DNA while making it accessible; your band sounds polished and current without needing advanced technique to nail the energy. Programming a contemporary hit alongside your standard fare signals to students that marching band repertoire is alive and speaks to their world.

What to expect

Confident and infectious. The arrangement captures that signature Beyoncé swagger and energy while keeping the texture clean enough that even less experienced players can feel themselves locking into something genuinely cool. There's swagger in the syncopation and immediacy in the melody; it's the kind of piece that gets students excited to hear themselves play it.

Who it's for

Marching bands at the Grade 2 level who want to connect with their students' musical world without compromising ensemble standards. This works equally well for school programs seeking accessible contemporary repertoire and for smaller or developing groups that need fully-arranged hits without advanced instrumentation demands.

How to get the most out of it

  • Lock the hi-hat and kick drum pattern early in rehearsal. The pocket lives in the rhythm section, so nail that foundation before layering the brass lick.
  • Balance the recognizable brass riff carefully. It should sit confidently in the mix without overshadowing the ensemble sound; think featured section, not solo feature.
  • Lean into the syncopation around the melody line. These off-beat accents are what give the arrangement its contemporary flavor, so mark them clearly and isolate them in sectionals.
  • Front-load your learning curve on the groove itself. Once students internalize the pocket, the written notes fall into place quickly.

How to use it

Use this as your contemporary closer on a spring concert, especially one mixing classic marching band fare with newer material. It also pairs well as a finale in a pop-themed program or as a standalone pep rally feature that reminds your community that modern repertoire belongs on the marching field.

Skills your students will build

  • Locking into syncopated rhythms and pop grooves
  • Ensemble balance between melody and rhythm section
  • Reading and executing repeated brass licks with precision
  • Understanding contemporary arranging approaches to familiar melodies

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