Cradle Hymn: Concert Band Conductor Score & Parts
Based on a Kentucky Folk Song
Traditional / arr. Earl J. Fox, Jr.
Grade: 2.5 (Medium Easy)
Item: 00-PK-0005647
$55.00
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Cradle Hymn: Score | $8.00 | |
| Cradle Hymn: Flute | $3.00 | |
| Cradle Hymn: Oboe | $3.00 | |
| Cradle Hymn: Bassoon | $3.00 | |
| Cradle Hymn: 1st B-flat Clarinet | $3.00 | |
| Cradle Hymn: 2nd B-flat Clarinet | $3.00 | |
| Cradle Hymn: B-flat Bass Clarinet | $3.00 | |
| Cradle Hymn: E-flat Alto Saxophone | $3.00 | |
| Cradle Hymn: 2nd E-flat Alto Saxophone | $3.00 | |
| Cradle Hymn: B-flat Tenor Saxophone | $3.00 | |
| Cradle Hymn: E-flat Baritone Saxophone | $3.00 | |
| Cradle Hymn: 1st B-flat Trumpet | $3.00 | |
| Cradle Hymn: 2nd B-flat Trumpet | $3.00 | |
| Cradle Hymn: 1st F Horn | $3.00 | |
| Cradle Hymn: 1st Trombone | $3.00 | |
| Cradle Hymn: 2nd Trombone | $3.00 | |
| Cradle Hymn: Baritone T.C. | $3.00 | |
| Cradle Hymn: Baritone B.C. | $3.00 | |
| Cradle Hymn: Tuba | $3.00 | |
| Cradle Hymn: Mallets | $3.00 | |
| Cradle Hymn: 1st Percussion | $3.00 | |
| Cradle Hymn: 2nd Percussion | $3.00 | |
| Cradle Hymn: Timpani | $3.00 |
Parts Added to Cart!
Description
Based upon a Kentucky folk song, this lovely lullaby radiates a feeling of serenity and tranquility. The opening, with a stately, majestic chorale, is followed with an exhilarating rhythmic development of the theme supplemented by energetic percussion. The ending reinstates the introduction with a quiet and peaceful conclusion. (5:00)
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Cradle Hymn: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Young Symphonic
Publisher:
Alfred Music
Page Count:
178
SKU:
00-PK-0005647
More about this title
About the Arranger: Earl J. Fox
Earl J. Fox holds degrees in music education from the University of Southern Mississippi and a Ph.D. in music from Louisiana State University. He spent two decades directing concert and marching bands in the Orleans Parish School System, including tenures at Capdau Junior High and Abramson Senior High School, before moving to Mississippi where he teaches at South Side Elementary School in Picayune.
Fox has established himself as both a clinician and adjudicator at band festivals across the United States and internationally. His arrangements and original compositions have been published and performed by bands nationwide and abroad, including Marching Band Sampoerna in Jakarta, Indonesia. He holds National Board Certification and maintains active membership in the American Society of Composers, Authors, and Publishers, Kappa Kappa Psi, and Phi Mu Alpha Sinfonia.
Why we love this
Fox balances the familiar warmth of a Kentucky folk melody with structural sophistication, creating an arrangement that works equally well as a concert opener or a contest selection. The piece asks your band to navigate a genuine emotional arc, moving from chorale authority through rhythmic vitality and back to introspection, without technical demands that obscure the music's core appeal.
What to expect
Serenity anchors the listening experience, but this is not static music. The arrangement creates genuine tension and release, a majestic calm opening, a period of vibrant forward motion driven by percussion and ensemble energy, then a gradual return to the peaceful space where the piece began.
Who it's for
Concert bands at the early intermediate level looking for accessible yet musically coherent repertoire. Directors seeking a piece that teaches sectional contrast and phrasing without excessive technical demands will find this arrangement serves both performance and pedagogy.
How to get the most out of it
- Emphasize the stillness of the opening chorale through precise articulation and balance; unforced tone here sets the stakes for what follows.
- Let the rhythmic middle section breathe with clarity rather than rushing; the percussion parts should anchor without overwhelming the melodic content.
- Shape the final return as a genuine diminuendo toward silence rather than a mere repetition of the opening; students should hear the arc closing.
- Use rehearsal time to distinguish between the three sections through tempo and character work, making the formal design audible to the ensemble.
How to use it
Program this as the opening number on a concert where you want to establish a reflective mood, then move into more energetic material. It also works beautifully on festivals where contrastive selections are valued, since its three-part structure gives adjudicators a clear sense of your band's range.
Skills your students will build
- Sustaining lyrical tone in chorale textures
- Maintaining rhythmic precision during energetic section development
- Listening across sections for dynamic balance and blend
- Shaping musical phrases with intentional climax and resolution
- Reading concert band score organization with multiple parts