Coventry Carol, Fantasy on Cover Image

Coventry Carol, Fantasy on: String Orchestra Conductor Score

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Coventry Carol, Fantasy on Cover Image

Coventry Carol, Fantasy on: String Orchestra Conductor Score

15th Century Traditional / arr. Jerry Brubaker

Grade: 3

Item: 00-25035S

$8.00
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Description
"The Coventry Carol" is named after the city of Coventry. It was a carol performed in the play The Pageant of The Shearman and Tailors, written in the 15th Century as one of the Coventry Cycle Mystery Plays. For your string ensemble, Jerry Brubaker has created this marvelous "fantasy variations" on this very beautiful and well known carol. We begin with a renaissance style chorale setting followed by a fugue. There is a lively and exciting dance section leading to a dramatic and majestic conclusion. This is truly a festive holiday package magnificently tied up with bows!

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Additional Details
Series: Belwin Concert String Orchestra
Publisher: Alfred Music
Page Count: 12
UPC: 038081278995
SKU: 00-25035S

More about this title

About the Arranger: Jerry Brubaker

Jerry Brubaker

Jerry Brubaker is an arranger and composer whose work spans educational and professional ensembles. His arrangements for string orchestras have become staples in school programs, known for their musicality, clarity of voice leading, and careful attention to pedagogical progression. Brubaker's ability to honor the character of traditional music while creating fresh interpretations has made his scores frequent choices for concert programming.

Why we love this

Brubaker's fantasy variations structure gives your string orchestra a complete concert arc without requiring soloists or added instrumentation. The journey from Renaissance chorale through fugue, dance, and dramatic finale keeps ensemble members engaged across all ability levels while maintaining the carol's essential character. This is the kind of arrangement that lets intermediate players feel genuinely accomplished.

What to expect

The arrangement unfolds like a decorated score, moving from the gentle reverence of a Renaissance setting into increasingly dramatic territory. You experience the carol as something living and evolving, transformed by dance and drama while remaining unmistakably itself.

Who it's for

String orchestras at the intermediate level will find this arrangement both accessible and musically substantial. Directors programming winter concerts need a work that showcases traditional repertoire with originality, and musicians want to play something that feels genuinely festive without being trivial.

How to get the most out of it

  • Balance the chorale texture so inner voices project clearly; this section establishes the carol's melodic identity and sets the listener's expectation for what follows.
  • Shape the fugal section with distinct articulation between parts; clarity of each voice line matters more than volume here.
  • Keep the dance section rhythmically buoyant and grounded; resist the urge to rush as excitement builds.
  • Approach the majestic conclusion with deliberate, confident phrasing; this payoff rewards the structural journey the ensemble has just completed.

How to use it

Position this as an anchor for your December concert, pairing it with shorter carols or traditional pieces that benefit from this arrangement's momentum and full-ensemble sound. It works equally well as a concert opener that establishes festive energy or a second-half centerpiece that showcases your string section's range.

Skills your students will build

  • Reading multiple contrapuntal lines simultaneously (fugal writing)
  • Ensemble balance in four-part chorale textures
  • Sustaining tone quality across contrasting sections (lyrical to rhythmic)
  • Following structural shifts within a single movement (sectional form awareness)
  • Executing articulation changes that define genre contrasts (Renaissance to dance to dramatic)

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