Counting Down to Christmas (from A Christmas Story: The Musical): 2-Part Choral Octavo
From A Christmas Story: The Musical
Words and music by Benj Pasek and Justin Paul / arr. Greg Gilpin
Item: 00-PO-0001741
Minimum order quantity: 20 copies
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Description
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About the Composer: Benj Pasek
Benj Pasek is a composer and lyricist whose work spans Broadway, film, and television. His collaborative partnership with Pasek and Paul has produced scores for acclaimed musicals including The Greatest Showman, Dear Evan Hansen, and Hadestown, earning multiple Tony Award nominations and a Grammy Award. His music is known for its emotional directness and accessibility, making it a natural fit for educational settings where contemporary pop sensibilities serve the material.
Pasek's approach to songwriting prioritizes clarity and singability without sacrificing sophistication. His work with A Christmas Story: The Musical demonstrates his ability to capture theatrical energy and character through music, resulting in arrangements that engage singers across skill levels while maintaining the integrity of the original production.
Why we love this
This arrangement brings genuine Broadway energy into the rehearsal room without requiring a pit orchestra. Greg Gilpin's 2-part voicing makes the piece accessible to developing choirs while preserving the song's rhythmic drive and pop sensibility, so your singers feel like they're performing a real musical number rather than a simplified holiday standard.
What to expect
Infectious and theatrical, with the rhythmic snap of modern pop music married to ensemble singing. The upbeat character and holiday context create immediate audience connection, while the tight rhythmic figures demand focus and precision from your singers, giving them a real sense of accomplishment once they nail the groove.
Who it's for
Any choir director building a holiday concert that needs contemporary energy and theatrical flair. Developing and intermediate choirs will find this approachable in voicing while getting real performance experience with Broadway-level writing. This piece works especially well for programs that want to move past traditional carols without sacrificing the seasonal context.
How to get the most out of it
- Nail the rhythmic precision from the very first rehearsal. The piece relies on tight ensemble rhythm, so isolate and drill the syncopated figures and quick rhythmic gestures before adding text.
- Use the recorded accompaniment to lock tempos and groove. This pop-influenced piece needs steady pulse and groove quality that a live pianist can reinforce through the track.
- Balance the text clarity with the rhythmic momentum. These singers need to articulate lyrics crisply while maintaining the forward-moving feel, so work section by section on both elements simultaneously.
- Shape the dynamic arc across the whole piece. Plan your crescendos and backing off moments in advance so the piece builds excitement rather than sitting at one level throughout.
How to use it
Position this as your closer or second-to-last number on a holiday concert where you want to send the audience out energized. It pairs well alongside both traditional and contemporary holiday repertoire, and its Broadway origins make it a natural fit if you're programming any other theatrical selections. The high energy and familiar source material also make it an excellent choice for a holiday pops concert or community engagement performance.
Skills your students will build
- Reading and executing syncopated rhythmic figures
- Maintaining ensemble pulse in pop-influenced (non-traditional) meters
- Balancing rhythmic precision with lyrical clarity
- Performing with theatrical expression and character
- Following a recorded accompaniment while maintaining independent part integrity