Counting Down to Christmas (from A Christmas Story: The Musical): SATB Choral Octavo
From A Christmas Story: The Musical
Words and music by Benj Pasek and Justin Paul / arr. Greg Gilpin
Item: 00-PO-0001739
Minimum order quantity: 20 copies
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Description
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About the Composer: Benj Pasek
Benj Pasek has established himself as one of Broadway's most prolific songwriting voices, collaborating with Justin Paul on scores that consistently find both critical acclaim and popular reach. His work spans film (The Greatest Showman, La La Land), television, and stage productions, each demonstrating his gift for writing music that connects emotionally with audiences across ages and backgrounds.
Why we love this
Greg Gilpin's arrangement captures the infectious energy of the original while making it genuinely singable for SATB ensembles. The rhythmic drive and accessibility mean your singers stay engaged without sacrificing the Broadway polish, and the piece lands equally well in a holiday concert or a full theatrical production.
What to expect
Bright, propulsive, and genuinely fun. The piece radiates anticipation and warmth without slipping into novelty; it's the kind of selection that energizes a concert and lingers with listeners after the final note.
Who it's for
Holiday directors looking for contemporary choral music that appeals to singers and audiences alike. This works for high school and college choirs who want something with Broadway credentials and immediate charm, as well as adult community ensembles seeking accessible seasonal repertoire with real compositional substance.
How to get the most out of it
- Keep the rhythm section locked in tight. The recorded accompaniment provides a strong rhythmic backbone; have your singers listen to it in rehearsal so they internalize the groove rather than fight against it.
- Shape the melodic phrases with clear intention. Pasek and Paul write memorable hooks; let them breathe and land, especially in the higher moments where the sopranos carry the tune.
- Balance the parts carefully during rhythmic unison sections. When voices align on repeated figures, make sure no single part overwhelms the others so the overall texture stays unified and punchy.
How to use it
Pair this with other contemporary holiday selections or classic carols to build programming variety. It works especially well in the second half of a concert as a mood shifter, or as an opener to set an upbeat tone. Consider programming it near other Broadway or theatrical selections if your concert has a pop-leaning theme.
Skills your students will build
- Navigating syncopated rhythms in a contemporary pop-Broadway style
- Balancing melody and harmony in arrangements designed for theatrical appeal
- Responding to recorded accompaniments while maintaining ensemble cohesion
- Projecting clear articulation in rhythmically driven, uptempo material