Countdown to Christmas: SAB Choral Octavo
Words by Deborah Craig-Claar, music from "March of the Toys" by Victor Herbert / arr. Mark Hayes
Item: 00-PO-0006707
Minimum order quantity: 20 copies
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About the Arranger: Mark Hayes

Mark Hayes is an internationally recognized composer, arranger, and conductor whose published catalog exceeds 1,750 works spanning sacred and secular genres. A summa cum laude graduate in Piano Performance from Baylor University, Hayes has guest conducted at Lincoln Center, the National Cathedral, and Carnegie Hall, and premiered his Requiem at St. Ignatius Basilica in Rome as part of a Vatican-sponsored festival in 2014.
Hayes's compositional reach spans choral literature, orchestral works, musical theater, and an extensive catalog of piano compositions. His versatility in orchestration and arrangement, combined with his deep understanding of vocal writing and ensemble dynamics, makes his choral works accessible yet theatrically satisfying. Based in Kansas City, Missouri, Hayes continues to compose with a mission to create music that serves communities across educational, sacred, and performance contexts.
Why we love this
Hayes takes a beloved classical march and completely reimagines it as a comedy sketch disguised as a choral piece. The contrast between the recognizable Victor Herbert melody and the absurdist humor of the new lyrics creates the kind of musical moment audiences remember and talk about long after the concert ends. The 20-page octavo is designed for maximum theatrical impact, with built-in moments for handheld percussion, sound effects, and solo cameos that turn your singers into comedic performers.
What to expect
Controlled chaos disguised as a holiday checklist. The familiar march melody propels the piece forward while the new lyrics spin an increasingly absurd list of last-minute Christmas tasks, complete with unexpected guests and comedic sound effects. It's the musical equivalent of a well-timed sitcom moment, where precision and personality collide.
Who it's for
Directors programming a concert that needs a show-stopping finale or seeking a secular holiday piece with genuine theatrical punch. SAB voicing makes this accessible to mixed choirs with varied vocal ranges while maintaining the energy and humor throughout.
How to get the most out of it
- Lean into the comedy without sacrificing the musical line. The melody remains elegant underneath the humor, and singers who find that balance will land the biggest laughs.
- Coordinate the handheld percussion and sound effects during rehearsal so they support rather than overshadow the vocal punchlines. Clear cues and a steady pianist anchor the chaos.
- Visit the free staging suggestions at alfred.com/countdownstaging before your first rehearsal to envision how the piece moves beyond traditional concert positioning.
- Cast your solo cameos strategically. These roles are comedy vehicles, so choose singers who can deliver lines with impeccable timing and facial expression.
How to use it
Close a holiday concert with this piece to send audiences out laughing. It works equally well as a late-fall entertainment or a December holiday program anchor, especially in contexts where a theatrical, contemporary take on holiday traditions fits your audience and ensemble culture.
Skills your students will build
- Comic timing and theatrical delivery integrated with vocal performance
- Ensemble coordination with non-pitched percussion and sound effects
- Lyrical clarity and diction at moderate to quick tempos
- SAB voice independence while maintaining cohesive phrasing
- Responding to a conductor's cues for theatrical moments and rhythm section coordination