Contemporary Piano Literature, Book 2 Cover Image

Contemporary Piano Literature, Book 2: Piano Book

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Contemporary Piano Literature, Book 2 Cover Image

Contemporary Piano Literature, Book 2: Piano Book

Ed. Frances Clark and Louise Goss

Level: Late Elementary

Item: 00-0108

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Description
The Contemporary Piano Literature series includes a selection of music written for children by Bartók, Gretchaninov, Kabalevsky, Prokofiev, Scott, Shostakovich and Stravinsky. In addition, the books contain pieces composed specifically for this series by Ross Lee Finney, David Kraehenbuehl, Douglas Moore, Elie Siegmeister, Alexandre Tansman and Alexander Tcherepnin. Short biographies and portraits help make composers come alive for the student. None of the music is so far in the vanguard that it is difficult to enjoy or understand.

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Additional Details
Series: Frances Clark Library for Piano Students
Publisher: Alfred Music
Page Count: 28
ISBN10: 0-87487-108-5
ISBN13: 978-0-87487-108-1
UPC: 029156119046
SKU: 00-0108

More about this title

Why we love this

This collection pairs canonical twentieth-century composers with contemporary voices, creating a curated pathway through modern piano language without alienating young players. The inclusion of composer biographies transforms each piece into a discovery rather than just repertoire, and the editorial judgment to avoid avant-garde excess means students encounter genuine innovation while staying musically engaged.

What to expect

A window into a century of musical innovation filtered through composers' genuine interest in writing for young hands. The music ranges from lyrical and lyrical to rhythmically playful, but never loses sight of being pianistically sensible and emotionally clear.

Who it's for

Late elementary students ready to move beyond traditional pedagogical material and encounter real twentieth-century voices. Players at this level need repertoire that challenges their musicality without overwhelming their technical grasp, and this book delivers exactly that balance.

How to get the most out of it

  • Study the composer biographies before rehearsing each piece; understanding the historical moment and the composer's intent sharpens interpretive choices and makes practice sessions feel purposeful.
  • Listen to at least one recording of pieces by Bartók, Prokofiev, or Shostakovich before performing them, as these styles often carry unfamiliar harmonic and rhythmic gestures that benefit from aural reference.
  • Pay close attention to dynamic markings and articulation notations in twentieth-century repertoire; these composers use them architecturally to shape phrasing in ways that differ from Romantic-era conventions.

How to use it

Thread individual pieces throughout the year as students gain confidence with twentieth-century harmony and texture; a Kabalevsky or Gretchaninov piece works beautifully in a spring recital, or group several contrasting selections into a thematic contemporary showcase. The modest page count makes it ideal for supplementing a larger curriculum without demanding extensive preparation time.

Skills your students will build

  • Reading twentieth-century harmonic language and modality
  • Executing rhythmic patterns beyond common time signatures
  • Balancing non-traditional chord progressions with musical phrasing
  • Understanding articulation and dynamics as primary expressive tools
  • Developing independence between hands in contrapuntal textures

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