Concerto (from <i>L'estro Armonico,</i> Op 3 #9) Cover Image

Concerto (from <i>L'estro Armonico,</i> Op 3 #9): Brass Quintet Score & Parts

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Concerto (from <i>L'estro Armonico,</i> Op 3 #9) Cover Image

Concerto (from L'estro Armonico, Op 3 #9): Brass Quintet Score & Parts

By Antonio Vivaldi

Level: Difficult

Item: 81-BQ25200

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Description
A fairly common practice in the Baroque era was for organists to "borrow" and transcribe orchestral music from themselves or other composers to create spectacular organ solos. J. S. Bach adapted several works by Vivaldi-this particular transcription was originally for solo violin and string orchestra. The brilliant showy solo line interspersed with tutti sections lent itself well to the colours of the organ and now to brass. This is a piccolo trumpet feature with the quintet trumpeters playing running duet lines in support of the soloist. For a transposed edition (into B-flat) please order BQ25205.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-221-7
ISBN13: 978-1-55472-221-1
UPC: 685462002313
SKU: 81-BQ25200
Instrumentation: Brass Quintet & Solo Trumpet

More about this title

About the Composer: Antonio Vivaldi

Antonio Vivaldi (1678-1741) stands as one of the most prolific and influential composers of the Baroque era, known for his virtuosic violin writing and command of orchestral color. A master of the concerto form, Vivaldi composed over 500 works across multiple genres, establishing himself as a central figure in the transition from Renaissance to early Classical music. His influence on composers like Bach, who transcribed and adapted numerous Vivaldi works, speaks to the structural brilliance and harmonic invention that define his output.

Vivaldi's career centered in Venice, where he served as a violin instructor and composer for the Ospedale della Pietà, an institution for orphaned and foundling girls. His compositions for this ensemble pushed the boundaries of instrumental writing and helped establish the violin as a solo instrument worthy of virtuosic display. His L'estro Armonico remains one of his most celebrated collections, a series of concertos that showcase both intimate chamber writing and grand orchestral scale.

Why we love this

This transcription brings Vivaldi's bravura violin writing into the brass world without losing a shred of the original's sparkle and forward momentum. The piccolo trumpet carries the fireworks while the supporting trumpet parts create a nimble dialogue that keeps the texture light and dance-like rather than heavy. For a brass quintet program, it offers a refreshing Baroque alternative to the predictable Bach chorale or Gabrieli fanfare.

What to expect

Sparkling and virtuosic, this concerto captures the Baroque love of contrast between brilliant solo display and collective brilliance. The piccolo trumpet soars above a supportive framework of duetting trumpets, creating an effect of perpetual motion and exuberant festivity that feels both intimate and grand.

Who it's for

Brass quintets with at least one advanced piccolo trumpet player and solid ensemble balance in the middle voices. This work demands technical facility and musical maturity from all five players, making it ideal for competitive festival programs or advanced high school and college ensembles.

How to get the most out of it

  • Balance the piccolo trumpet solo prominently over the ensemble; the supporting duet lines should breathe and support rather than compete with the soloist's rapid passagework.
  • Articulate the running sixteenth-note figures with clarity and uniformity across the trumpet section, treating them as a single musical voice in multiple parts.
  • Shape the tutti sections with gentle dynamic swell to highlight the structural architecture; this piece lives in the push and pull between solo display and ensemble celebration.
  • Observe the stylistic distinction between the brilliant solo writing and the supportive ensemble passages by adjusting vibrato width; the duet lines benefit from lighter vibrato that preserves rhythmic definition.

How to use it

Program this as a centerpiece in a Baroque brass showcase, paired with works by composers like Purcell or Torelli to underscore the era's diverse instrumental writing. It works equally well as a contest piece that demonstrates both technical prowess and stylistic sophistication, or as a spotlight feature for an ensemble's strongest piccolo trumpet player.

Skills your students will build

  • Executing rapid sixteenth-note passagework with rhythmic precision and tonal consistency
  • Balancing a virtuosic solo line against supporting ensemble parts without overwhelming the texture
  • Playing Baroque articulation and phrasing conventions across multiple trumpet parts
  • Reading ornamental figures and maintaining clarity at brisk tempos
  • Ensemble synchronization in fast dialogue passages between paired trumpets

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