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Concerto for Two Pianos: Full Orchestra Full Score

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Concerto for Two Pianos Cover Image

Concerto for Two Pianos: Full Orchestra Full Score

(3 hands) and Orchestra

By Malcolm Arnold

Item: 12-0571508510

$27.99
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Additional Details
Series: Faber Edition
Publisher: Faber Music
Page Count: 56
ISBN10: 0-571-50851-0
ISBN13: 978-0-571-50851-8
UPC: 9780571508518
SKU: 12-0571508510

More about this title

About the Composer: Malcolm Arnold

Malcolm Arnold (1921-2006) was a British composer whose prolific output spanned symphonies, concertos, film scores, and chamber works. His gift for orchestration and gift for melody made him one of the most performed composers of the late 20th century, with particular strength in works that balance technical sophistication with accessibility. Arnold's concert music combines structural rigor with infectious rhythmic vitality, qualities that have made his scores enduring favorites in the rehearsal room.

Why we love this

Arnold's two-piano concerto showcases his distinctive orchestration voice without asking the orchestra to carry impossible technical demands. The writing is grateful and idiomatic across all sections, which means your musicians will sound polished with reasonable preparation. The dual piano partnership creates natural dialogue and textural variety that keeps the work engaging over its substantial length.

What to expect

Witty and buoyant, yet never superficial. The two pianos create brilliant counterpoint and surprising harmonic colors against the orchestral backdrop. Arnold's orchestration sparkles throughout; passages that sound complex often emerge from elegant, economical writing.

Who it's for

This score serves conductors programming a major concert featuring dual piano soloists or preparing an orchestra-focused season. It fits naturally with other 20th-century concerto repertoire and works well for orchestras seeking substantial yet accessible modern works.

How to get the most out of it

  • Balance the two pianos carefully in rehearsal; they should blend as partners rather than compete. Mark dynamic relationships between the piano parts explicitly in the full score.
  • Invest early rehearsal time in the coordination between the piano soloists and the orchestra's principal parts, especially strings. Clean handoffs between soloists and tutti passages require specificity.
  • Study the orchestral interludes between piano passages as carefully as the concerto's virtuosic sections. Arnold often develops thematic material in the ensemble during these moments.
  • Record a full rehearsal run-through before performance week to identify pacing issues. The work's architecture demands attention to phrase length and structural momentum.

How to use it

Pair this with other Arnold concert works or with contemporary concertos by similar-minded composers to create a thematic evening around 20th-century British instrumental music. It also functions as an excellent centerpiece for a concert built around piano and orchestra repertoire.

Skills your students will build

  • Coordinating multiple independent solo lines with full orchestra accompaniment
  • Balancing textural clarity in dense ensemble writing
  • Sustaining musical narrative across extended formal structures
  • Responding to rhythmic vitality and quick tempo changes
  • Listening for orchestration details and registral colors in Arnold's economical scoring

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