Concerto for Piano No. 5 in E-flat, Op. 73 'Emperor' Cover Image

Concerto for Piano No. 5 in E-flat, Op. 73 'Emperor': Full Orchestra, Solo Keyboard with Ensemble, Conductor Score & Parts

$135.00 USD
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Concerto for Piano No. 5 in E-flat, Op. 73 'Emperor' Cover Image

Concerto for Piano No. 5 in E-flat, Op. 73 'Emperor': Full Orchestra, Solo Keyboard with Ensemble, Conductor Score & Parts

By Ludwig van Beethoven

Item: 36-A128302

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Description
Ludwig van Beethoven (1770-1827) completed his Piano Concerto No. 5 in E-flat shortly after Vienna surrendered to Napleon's invading forces in the spring of 1809. It received its premiere on November 28, 1811 in Leipzig with Friedrich Scheider as the soloist and Johann Schulz conducting the Gewandhaus Orchestra. Its nickname, "The Emperor", stems from the character of the work, as well as its E-flat major tonality, which Beethoven often used to express the heroic, as did many composers after him. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 659359810923
SKU: 36-A128302
Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano

More about this title

About the Composer: Ludwig van Beethoven

Ludwig van Beethoven (1770-1827) bridged the Classical and Romantic eras, fundamentally expanding what instrumental music could express. His late works, composed amid personal struggle and hearing loss, pushed harmonic language and formal structure into new territories, influencing generations of composers who followed.

Beethhoven's five piano concertos trace an arc from Classical elegance toward Romantic grandeur. The Fifth Concerto, completed in 1809 during the Napoleonic occupation of Vienna, channels heroic defiance through its choice of E-flat major and its grand scale. The work stands as a summit of the genre, demanding virtuosity from the soloist while offering the orchestra substantial musical substance.

Why we love this

This concerto rewards orchestras willing to commit serious rehearsal time to a work of genuine symphonic weight. Unlike many earlier concertos where the orchestra plays supporting role, Beethoven writes parts that matter throughout; the wind and string sections carry thematic material, respond to the soloist's declarations, and drive the harmonic architecture. Programming it elevates an entire concert season.

What to expect

Triumphant and declarative, particularly in the first movement's heroic themes and martial rhythms. The slow movement offers profound lyricism and introspection, while the finale pulses with energy and forward momentum. Throughout, Beethoven creates a dialogue between soloist and orchestra that feels conversational and urgent.

Who it's for

Orchestras with strong piano soloists and the rehearsal capacity to prepare a concerto of this scope and historical importance. Conductors programming ambitious works should consider this a cornerstone piece that demonstrates orchestral maturity and musical seriousness.

How to get the most out of it

  • Balance the piano soloist carefully during the opening movement's cadenza sections. The orchestra must recede without losing rhythmic clarity, particularly in the accompaniment figures.
  • Establish a unified tempo for the Adagio's spacious phrases. The movement's emotional weight depends on the conductor and soloist breathing together across long melodic lines.
  • Coordinate the final rondo's perpetual motion between solo keyboard and ensemble. Rhythmic precision in the accompanying figures prevents the texture from becoming muddy.
  • Mark the heroic opening gesture clearly in rehearsals. This iconic theme must emerge with unanimous character from the full orchestra before the soloist enters.

How to use it

Position this work as a season centerpiece or closing concert highlight. Its scale and demands suit a concert that also includes a Beethoven symphony or other substantial orchestral work, creating a programming block that showcases orchestral depth. The concerto works equally well as a season opener, signaling artistic ambition to your audience.

Skills your students will build

  • Reading and executing Beethoven's characteristic rhythmic gestures and phrasing across an extended formal structure
  • Balancing soloistic prominence with ensemble cohesion in a concerto texture
  • Responding to rapid harmonic motion and modulation in service of dramatic architecture
  • Coordinating ensemble precision during repeated figurations and accompaniment patterns
  • Building dynamic contrast and sustaining musical momentum across three large movements

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