Concerto for Piano in F-sharp minor, Op. 20 Cover Image

Concerto for Piano in F-sharp minor, Op. 20: Full Orchestra, Solo Keyboard with Ensemble, Solo Part

$30.00 USD
$30.00 USD
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Concerto for Piano in F-sharp minor, Op. 20 Cover Image
Concerto for Piano in F-sharp minor, Op. 20: Full Orchestra, Solo Keyboard with Ensemble, Solo Part

Concerto for Piano in F-sharp minor, Op. 20: Full Orchestra, Solo Keyboard with Ensemble, Solo Part

By Alexander Scriabin

Item: 36-A202748
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Description
The only concerto written by Alexander Scriabin (1871-1915), the CONCERTO FOR PIANO in F-sharp minor, Op. 20, stands apart from other great piano concertos of the Romantic era for its introspection and refinement. Under the influence of Chopin at the age of 24, Scriabin only completed it after persistent pressure from his publisher Belyayev. Rimsky-Korsakov and Lyadov assisted him with the orchestration. The work premiered on October 23, 1897 in Odessa with the composer performing the solo part under the baton of Vasily Safonov. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp: Str (9.8.7.6.5 in set): Solo Piano.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270852-X
ISBN13: 979-8-89-270852-4
UPC: 659859308722
SKU: 36-A202748
Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp: Str (9.8.7.6.5 in set): Solo Piano

More about this title

About the Composer: Alexander Scriabin

Alexander Scriabin (1871-1915) was a Russian composer and pianist whose harmonic innovations and mystical philosophy reshaped early twentieth-century music. Though he composed prolifically across symphonies, piano sonatas, and orchestral works, he completed only one concerto for piano. His music evolved from Romantic lyricism toward increasingly complex harmonic language, reflecting his deepening interest in theosophy and synesthesia.

Scriabin's influence on composition pedagogy stems from his fearless expansion of tonal harmony and his integration of philosophical ideas into musical structure. His concerto remains a touchstone for advanced pianists seeking repertoire that balances virtuosity with introspective depth, and for orchestras programming twentieth-century Russian works alongside the Romantic canon.

Why we love this

Scriabin's sole piano concerto offers orchestras a rare opportunity to program a work of uncompromising artistry that stands apart from the virtuosic display pieces dominating the genre. Its refinement and harmonic sophistication make it an excellent anchor for concerts exploring the transition from Romanticism to modernism, and the involvement of Rimsky-Korsakov and Lyadov in its orchestration ensures orchestral writing of the highest caliber.

What to expect

The concerto unfolds with an introspective, almost melancholic beauty that deepens rather than diminishes with repeated hearing. Scriabin's orchestration glows with subtle colors while the solo piano explores a landscape of chromatic harmony and lyricism influenced by Chopin, creating an atmosphere of refined contemplation rather than heroic virtuosity.

Who it's for

Conservatory-level pianists and professional orchestras seeking a concerto that combines technical challenge with philosophical depth. This work demands a soloist of considerable maturity and harmonic sophistication, as well as an orchestra capable of executing Rimsky-Korsakov's orchestration with precision and sensitivity.

How to get the most out of it

  • Balance the solo line carefully in the orchestral texture; Scriabin's piano writing is more introspective than bombastic, and ensemble players must resist drowning out the soloist's lyrical passages.
  • Attend to the conductor's coordination of the solo part and ensemble, particularly in passages where the piano's chromatic language diverges from the orchestra's harmonic foundation.
  • Shape phrases according to Scriabin's evolving harmonic language rather than applying traditional Romantic phrase structures; the work's emotional arc depends on clarity of harmonic progression.

How to use it

Feature this concerto on a concert devoted to Russian piano concertos or early twentieth-century orchestral innovation, pairing it with works by Rachmaninoff or other contemporaries. It also serves exceptionally well as the centerpiece of a concert exploring the bridge between Romanticism and modernism, allowing the orchestra to showcase both traditional beauty and forward-looking harmonic language.

Skills your students will build

  • Balancing solo and orchestral textures in early modernist harmonic contexts
  • Interpreting chromatic harmony and non-traditional harmonic progressions
  • Coordination between soloist and ensemble in works where the keyboard part operates independently from the orchestral foundation
  • Understanding orchestral color and transparency in Russian compositional tradition

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