Concerto for Piano in F-sharp minor, Op. 20 Cover Image

Concerto for Piano in F-sharp minor, Op. 20: Full Orchestra, Solo Keyboard with Ensemble, Conductor Score

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Concerto for Piano in F-sharp minor, Op. 20 Cover Image
Concerto for Piano in F-sharp minor, Op. 20: Full Orchestra, Solo Keyboard with Ensemble, Conductor Score

Concerto for Piano in F-sharp minor, Op. 20: Full Orchestra, Solo Keyboard with Ensemble, Conductor Score

By Alexander Scriabin

Item: 36-A202701
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Description
The only concerto written by Alexander Scriabin (1871-1915), the CONCERTO FOR PIANO in F-sharp minor, Op. 20, stands apart from other great piano concertos of the Romantic era for its introspection and refinement. Under the influence of Chopin at the age of 24, Scriabin only completed it after persistent pressure from his publisher Belyayev. Rimsky-Korsakov and Lyadov assisted him with the orchestration. The work premiered on October 23, 1897 in Odessa with the composer performing the solo part under the baton of Vasily Safonov. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp: Str (9.8.7.6.5 in set): Solo Piano.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-892708-51-1
ISBN13: 979-8-892708-51-7
UPC: 659859295176
SKU: 36-A202701
Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp: Str (9.8.7.6.5 in set): Solo Piano

More about this title

About the Composer: Alexander Scriabin

Alexander Scriabin (1871-1915) was a Russian composer and pianist whose harmonic innovations and spiritual vision fundamentally altered the course of early twentieth-century music. Though he composed in virtually every genre, his orchestral and keyboard works remain his most enduring contributions to the concert repertoire. His style evolved from late Romantic lyricism toward increasingly chromatic and mystical territories, a trajectory audible even in this single concerto.

Scriabin's influence on composition instruction extends beyond his notes; his approach to orchestral color and his integration of the solo keyboard as a voice within the ensemble rather than against it shaped how subsequent generations conceived the genre. Conductors and musicians studying his work gain insight into harmonic thinking that bridges the nineteenth and twentieth centuries.

Why we love this

This concerto reveals Scriabin at a crossroads: Chopin's influence runs through its lyrical passages, yet the orchestration (refined by Rimsky-Korsakov and Lyadov) introduces harmonic and coloristic ideas that feel prescient for 1897. Conductors appreciate how the solo part engages the orchestra as collaborators rather than accompanists, making this a rewarding choice for advanced orchestras seeking something beyond the standard Romantic concerto repertoire.

What to expect

The work inhabits a hushed, introspective world despite its full orchestral forces. Lyricism tinged with melancholy and refinement characterize the opening; as the piece unfolds, chromatic harmonies and orchestral color intensify without sacrificing the essential intimacy Scriabin brings to the solo keyboard's voice.

Who it's for

Orchestras with strong pianistic soloists and the musical sophistication to navigate Scriabin's harmonic language will find this concerto rewarding. Conductors seeking to program a major concerto outside the German Romantic mainstream and musicians interested in exploring early modernist orchestration will discover much of value here.

How to get the most out of it

  • Balance the solo keyboard's introspective voice against the full orchestra by rehearsing sections where the piano carries thematic material; the accompaniment should support, not obscure.
  • Pay close attention to Scriabin's orchestration details in the woodwind passages, particularly the interplay between flute and oboe, which often doubles or colors the piano's melodic line.
  • Allow the opening movement's introspection to establish the work's intimate character before the orchestra enters; this sets the emotional foundation for the entire performance.
  • In the cadenza and passagework, the soloist's technical clarity matters enormously; coordinate closely with the conductor so transitions feel organic rather than showy.

How to use it

This concerto sits naturally on a concert exploring Russian composers or the bridge between Romanticism and modernism. Pair it with contemporary chamber works or orchestral tone poems to contextualize Scriabin's harmonic innovations, or program it as a centerpiece alongside more traditional concerto repertoire to highlight its singular character.

Skills your students will build

  • Reading F-sharp minor tonality and advanced chromatic harmony
  • Balancing solo keyboard texture against full orchestra
  • Interpreting Romantic lyricism infused with early modernist sensibility
  • Understanding orchestration through color and doubling rather than harmonic support

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