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Concerto For Horn: Conductor Score & Parts

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Concerto For Horn Cover Image

Concerto For Horn: Conductor Score & Parts

By Adolph Martin Foerster

Item: 36-M183791

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Additional Details
Series: Master Brass Series - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 660355090424
SKU: 36-M183791
Instrumentation: Horn and Piano

More about this title

About the Composer: Adolph Martin Foerster

Adolph Martin Foerster was a brass pedagogue and composer working in the late 19th and early 20th centuries, contributing substantially to the solo brass repertoire during a period when such writing was still developing. His concertos and character pieces for horn, trumpet, and trombone remain essential teaching tools, balancing technical demands with lyrical musicality in ways that challenge without overwhelming intermediate and advanced students.

Why we love this

This concerto sits squarely in the sweet spot for advanced high school and early college horn players: technically demanding enough to matter, musically substantive, and written by someone who understood the instrument's lyrical possibilities. The Master Brass Series edition gives you everything you need to program it with confidence, whether for a recital or concerto competition.

What to expect

Lyrical and vocally inspired, with writing that encourages singing through the horn rather than purely technical display. The concerto balances expressive, song-like passages with sections that allow the soloist to demonstrate control and flexibility across the full range.

Who it's for

Advanced high school horn players and college students preparing recital or concerto competition repertoire. This is also a solid choice for studios working with serious amateur adult horn players who want substantial solo literature beyond the standard pedagodical concertos.

How to get the most out of it

  • Balance the horn line so it projects clearly over the piano without forcing the tone; the accompaniment can carry more weight than you might initially think.
  • Mark your breath points in advance. Plan where you'll breathe to preserve the phrase shape, especially through longer melodic lines.
  • Work the cadenza sections deliberately in practice to find a tempo that feels comfortable; rushing these passages often undermines the lyrical character.

How to use it

Program this for a spring concerto recital or as part of a chamber music concert pairing horn with piano. It works well alongside Romantic-era chamber repertoire and gives soloists a serious, substantial showpiece that won't overshadow smaller ensemble pieces on the same program.

Skills your students will build

  • Sustaining long, lyrical phrases with consistent support
  • Navigating the full range of the horn with confidence
  • Balancing with a piano partner while maintaining tonal presence
  • Interpreting Romantic-era solo writing with stylistic sensitivity

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