Concertino, Opus 12: Bassoon & Piano Part(s)

$7.95 USD

Concertino, Opus 12: Bassoon & Piano Part(s)

Name: Concertino, Opus 12: Bassoon & Piano Part(s)
Brand: Alfred Music
SKU: 00-K09263
Price: 7.95 USD
Availability: InStock

By Ferdinand David

Item: 00-K09263

$7.95

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A Basson solo with Piano Accompaniment composed by Ferdinand David.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Concertino, Opus 12: Bassoon & Piano Part(s) comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Series: Kalmus Edition

Publisher: Alfred Music

Page Count: 16

ISBN10: 0-7579-0796-2

ISBN13: 978-0-7579-0796-8

UPC: 654979049777

SKU: 00-K09263

Instrumentation: Bassoon & Piano

More about this title

About the Composer: Ferdinand David

Ferdinand David (1810, 1873) was a German violinist and composer whose chamber works earned him respect across European concert halls. Beyond his violin concertos, David wrote idiomatically for multiple instruments, understanding how to balance technical display with genuine musical substance. His woodwind writing reflects the Romantic era's appetite for virtuosity tempered by lyricism.

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Why we love this

David's Concertino strikes the rare balance between showpiece and actual music: it demands technical facility from the bassoonist but never sacrifices melodic coherence for finger work. The piano part remains truly collaborative rather than subservient, making this genuinely rewarding for both players. It sits perfectly in that sweet spot for advanced students who are ready for contest material with real artistic depth.

What to expect

The Concertino unfolds with the grace and structural clarity of mid-Romantic writing. Songful at its core, it opens space for cantabile expression while building toward moments of assertive technical display. The character feels noble without pretension, substantial without overwrought sentiment.

Who it's for

Advanced high school or early college bassoonists preparing for regional competitions or solo recitals. This work demands secure command of the full range and genuine musical maturity, making it ideal for students ready to move beyond method book material into genuine concert repertoire.

How to get the most out of it

Shape the opening theme with long-lined phrasing; resist the urge to toy with rubato until you've established the melodic arc clearly
Work the rhythmic coordination with your pianist early, especially in passages where the accompaniment figures complement rather than double your line
Balance technical passages with the character of the surrounding material; velocity alone won't serve the piece
Use the written cadenza as an opportunity to show voice control, not just technical command

How to use it

Feature this as a solo spotlight in a chamber or orchestral concert, or pair it with other Romantic woodwind works to build a themed set. Its 16-page length and balanced difficulty make it suitable for spring concert programming when students have had time to develop the necessary technical foundation.