Concertino No. 2 Cover Image

Concertino No. 2: String Ensemble

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Concertino No. 2 Cover Image

Concertino No. 2: String Ensemble

By Harald Genzmer

Level: Intermediate

Item: 98-EP5973

$31.95
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Description
Concertino No. 2 by Harald Genzmer. Score only.

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Additional Details
Series: Edition Peters
Publisher: EDITION PETERS
Page Count: 64
ISBN10: 0-01-404278-9
ISBN13: 979-0-01-404278-3
SKU: 98-EP5973

More about this title

About the Composer: Harald Genzmer

Harald Genzmer (1909–2007) was a German composer and pedagogue whose prolific output spanned orchestral, chamber, and educational works. He maintained a deep commitment to writing accessible yet musically substantive pieces for student and amateur musicians, believing that young players deserved thoughtfully crafted material rather than simplified arrangements.

Why we love this

Genzmer writes for strings with clarity and purpose. The Concertino No. 2 sits at that valuable sweet spot where technical demands challenge developing players without overwhelming them, and the musical content rewards careful rehearsal with genuine expression rather than mere technical exercise.

What to expect

The music unfolds with Romantic sensibility wrapped in 20th-century clarity. There's elegance without pretension, and melodic warmth that comes through even when the harmonic language is spare and direct.

Who it's for

Intermediate string ensembles ready to move beyond grade 2 repertoire but not yet at the level of complex contemporary writing. This works well for youth orchestras, school string programs, and community ensembles looking for a step up in sophistication.

How to get the most out of it

  • Balance the string sections carefully during ensemble passages; the score's transparency means intonation lapses will read immediately. Work section by section before putting everyone together.
  • Attend to Genzmer's articulation markings with precision. They shape the character considerably and prevent the work from sounding generic.
  • Shape phrases with intention rather than letting dynamics sit at a single level. Student ensembles often play too uniformly; this piece benefits from genuine musical breathing.

How to use it

Pair this with a lighter opening work and a showier finale to create a balanced concert. The piece also functions beautifully as the centerpiece of a string ensemble concert focused on early-to-mid 20th-century European composition.

Skills your students will build

  • Intonation precision in sustained ensemble passages
  • Stylistic awareness of mid-20th-century German compositional practice
  • Interpretive maturity through attention to dynamic and articulation detail
  • Section independence while maintaining overall ensemble cohesion

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