Con la Música Cover Image

Con la Música: SATB Choral Octavo

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Con la Música Cover Image

Con la Música: SATB Choral Octavo

(With Music, We Are One)

Words and music by Jay Althouse

Item: 00-35648

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Description
Part Spanish, mostly English, but all together it's sizzling fun for concert and show ensembles alike. "Con la música somos uno. WIth music, we are one." Featured on Showbiz! choral movement DVD (00-35858).

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Con la Música: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081398440
SKU: 00-35648

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His eight years working as a rights and licenses administrator for a major educational publisher gave him deep insight into what choirs need, and he served on the Executive Board of the Music Publishers Association of America during that tenure.

As a composer, Althouse has more than 800 choral works in print across all levels, performed widely throughout the English-speaking world. He is a writer member of ASCAP and a regular recipient of the ASCAP Special Award. Beyond composition, he has co-written children's musicals with Sally K. Albrecht, compiled respected vocal solo collections, co-authored The Complete Choral Warm-up Book and Accent on Composers, and created reproducible classroom resources including Ready to Read Music and One-Page Composer Bios. His choral work I Hear America Singing, written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Obama's inauguration in 2009. Althouse resides in Wake Forest, North Carolina, where he serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse writes choral music that actually works on stage. The Spanish-English blend here avoids feeling like a language lesson; instead, the text reinforces the central message that music unites people across cultures. Movement and staging options are built in, so you don't have to devise blocking on your own. That attention to what directors actually need to pull off a concert makes his music practical without sacrificing musicality.

What to expect

Vibrant and inclusive, with the Spanish-English interplay creating a genuine sense of celebration. The music swings with Latin energy while remaining singable, and the message of unity feels earned rather than preachy.

Who it's for

Concert and show choirs looking for contemporary material with real personality. Althouse's accessibility makes this work for a broad skill range, so intermediate and advanced ensembles alike will find it rewarding to perform.

How to get the most out of it

  • Lean into the rhythmic precision of the Latin style. These grooves won't feel right if they drag; tighten your ensemble's attack on all articulated passages.
  • Use the recorded accompaniment during early rehearsals to lock the feel and tempo. Once your singers know the groove, backing off the recording helps them develop independence.
  • Bring confidence to the Spanish sections. Even if some singers are learning the language for the first time, modeling clear articulation and rhythm removes the self-consciousness that can undermine energy.
  • Check the movement and staging options in the score. Planning the visual picture early makes rehearsal more efficient and gives your singers ownership over how they present the message.

How to use it

Position this as a concert highlight or finale when you want to leave the audience energized. It pairs well with other world music or contemporary pieces, and the built-in movement options make it a natural choice for shows where visual interest matters as much as sound. The 12-page length keeps rehearsal time reasonable for the impact you'll get.

Skills your students will build

  • Latin rhythmic grooves and articulation patterns
  • Spanish pronunciation and diction
  • Performance confidence with choreographed staging
  • Ensemble precision in syncopated rhythms
  • Understanding cultural context in multicultural literature

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