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Composers' notes. Financial triumphs and disasters of the great composers: Book

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Composers' notes. Financial triumphs and disasters of the great composers: Book

By Tim Lihoreau

Item: 98-EP7894

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 192
ISBN10: 1-84-367026-7
ISBN13: 978-1-84367-026-1
UPC: 0
SKU: 98-EP7894

More about this title

About the Composer: Tim Lihoreau

Tim Lihoreau is a British composer, conductor, and music educator known for making classical music history accessible and engaging to general audiences. His work bridges the gap between serious musicological research and popular understanding, particularly through radio broadcasts and written works that illuminate the lives and struggles of major composers.

Why we love this

This book offers music educators a refreshing angle on composer study. Rather than focusing only on biography or technique, Lihoreau examines the economic realities that shaped how composers lived and worked, giving students concrete context for understanding why certain pieces were written, premiered, or published when they were.

What to expect

A witty, accessible exploration that strips away the myth-making around classical composers and reveals the very real financial pressures, patronage networks, and business decisions that governed their careers. Lihoreau's approach is conversational and often surprising, showing that even genius-level musicians had to navigate contracts, debts, and market demands.

Who it's for

Music history teachers, music appreciation instructors, and band or orchestra directors who want to deepen students' understanding of the composers behind the repertoire. This works well for high school music classes, college music history courses, and any ensemble director looking to make composer study more engaging and human.

How to use it

Assign chapters alongside the repertoire your ensemble is preparing, so students understand not just what a composer wrote but why and under what conditions. Use it in music history units to complement traditional biographies, or draw from it during rehearsal discussions to explain stylistic choices and compositional output. The 192-page length makes it manageable for targeted reading rather than a semester commitment.

Skills your students will build

  • Understanding historical and economic context for music creation
  • Critical thinking about how external circumstances shape artistic output
  • Making connections between a composer's financial situation and their compositional decisions

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