Complete Songs, Vol. 2 Cover Image

Complete Songs, Vol. 2: Mixed Voice, High/ Medium, Collections, Vocal Score

$25.95 USD
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Complete Songs, Vol. 2 Cover Image

Complete Songs, Vol. 2: Mixed Voice, High/ Medium, Collections, Vocal Score

By Sergei Rachmaninoff, ed. Serge Koussevitzky/ ed. Natalie Koussevitzky, Text in Russian cyrillic and English

Item: 36-M148091

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This second volume of Complete Songs by Sergei Rachmaninoff includes 35 songs across thee opus numbers. 15 Romances, Op. 26: The Heart's Secret; All once I gladly owned; Come, let us rest!; Two Partings. A Dialogue; Beloved, let us fly; Christ is risen; To the Children; Thy pity I implore; Let me rest here alone!; Before my Window; The Fountains; Night is mournful; When yesterday we met; The Ring; All things depart. 14 Romances, Op. 34: The Muse; The Soul's Concealment; The Storm; Day to Night comparing went the wind her way; Arion; The Raising of Lazarus; So dread a fate I'll ne'er believe; Music; The Poet (You knew him well); The Morn of Life; With holy banner firmly held; What wealth of rapture; Discord; Vocalise. 6 Romances, Op. 38: In my Garden at Night; To her; Dalsies (Margaritki); The pied Piper; Dreams; A-Oo (The Quest). Reprint of edition by Serge and Natalie Koussevitzky.

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Additional Details
Series: Master Vocal Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-898102-95-X
ISBN13: 979-8-898102-95-1
UPC: 660355077326
SKU: 36-M148091
Instrumentation: Voice and Piano

More about this title

About the Composer: Sergei Rachmaninoff

Sergei Rachmaninoff (1873, 1943) was a Russian composer and pianist whose gift for melody shaped early twentieth-century vocal music. His romances, settings of Russian poetry for solo voice and piano, represent some of the most lyrical and emotionally direct song writing in the repertoire. Rachmaninoff's approach to the voice prioritizes beauty of line and clarity of text, making these works essential study for singers seeking to master the intersection of vocal lyricism and pianistic color.

As both creator and performer of his own songs, Rachmaninoff understood intimately what voices needed. His three opus collections here span his career and show deepening harmonic language alongside an unwavering commitment to singable, expressive melody. Teachers and students alike return to these works repeatedly because they reward both technical refinement and emotional maturity.

Why we love this

Sixty-five songs across three opus numbers gives you a genuine library of Rachmaninoff in a single volume, eliminating the hunt through scattered editions. The texts are drawn from major Russian poets, and Rachmaninoff's harmonic language deepens notably from Op. 26 through Op. 38, so students progress through increasingly sophisticated musical thinking without leaving the same composer's world. High and medium voicing options mean you can program these songs across your voice types without transposing.

What to expect

Rachmaninoff's songs inhabit a landscape of longing, introspection, and lyrical beauty. Whether the text dwells on separation, spiritual awakening, or the quiet observation of nature, the music never rushes; instead it creates space for emotional depth to unfold. Singers often describe these works as deceptively intimate, they sound simple until you sit with them, and then their harmonic richness and psychological texture reveal themselves.

Who it's for

Solo singers preparing advanced repertoire, voice students developing interpretive maturity, and directors seeking substantial art song literature in a single, accessible volume. This collection serves singers from late intermediate to professional levels who are ready for the technical and textual demands of Russian romance.

How to get the most out of it

  • Attend closely to the piano writing. Rachmaninoff rarely treats the piano as mere accompaniment; the keyboard often carries thematic material or creates textural atmosphere that shapes how the voice should phrase and color the line.
  • Anchor the Russian text pronunciation with a native speaker or reliable recording before work begins. The melodic contour of Rachmaninoff's lines often reinforces Russian vowel sounds and consonant weight, and singing through this intentionally changes everything about musical delivery.
  • Find the emotional architecture within each song early. These are not miniatures without structure. Most build to a clear climax; recognizing where that sits helps singers avoid either underselling the journey or exhausting the voice before arrival.
  • Let the harmonic movement breathe. Rachmaninoff's progressions are often chromatic and lean toward longer harmonic rhythms than Romantic-era song. Patience with chord changes reveals the expressive logic underneath.

How to use it

Program a single song as a recital prelude or intermission piece; the variety within this collection means you can find something that shifts the emotional temperature between larger works. A chamber concert devoted entirely to Rachmaninoff songs becomes entirely feasible with this volume, allowing audiences to experience his stylistic evolution and deepening mastery across decades. Include selections in student recitals to demonstrate progress in interpretation and language facility.

Skills your students will build

  • Russian language diction and text comprehension
  • Reading and realizing chromatic harmonic progressions in singing
  • Collaboration with pianists on thematic development across voice and keyboard
  • Structural analysis of song form and climactic architecture
  • Sustaining lyrical line through longer, slower harmonic rhythms
  • Interpretation of Romantic and early twentieth-century song aesthetics

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