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Complete Piano Works Vol.5: Piano (Solo)

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Complete Piano Works Vol.5 Cover Image

Complete Piano Works Vol.5: Piano (Solo)

By Felix Mendelssohn / ed. Theodor Kullak

Item: 98-EP1704E

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Description
The fifth volume of Felix Mendelssohn's Piano works, edited by Theodor Kullak, contains the piano sonatas in E major Op. 6 (1826), in G minor Op. 105 and in Bb major Op. 106, as well as the Fantaisie sur une Chanson irlandaise Op. 15 (1833), the Three Preludes Op. 104 (Vol. I), the Album Sheet in E minor Op. 117, Capriccio in E major Op. 118, the Perpetuum mobile in C major Op. 119 as well as the Prelude and Fugue in E minor (1842), the Gondola Song in A major (1842) and Two Piano Pieces in B flat major and G minor.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 112
ISBN10: 0-01-400747-9
ISBN13: 979-0-01-400747-8
SKU: 98-EP1704E

More about this title

About the Composer: Felix Mendelssohn

Felix Mendelssohn (1809-1847) was a composer of remarkable facility and emotional directness, equally at home in symphonic and intimate forms. His piano works reveal a composer deeply engaged with German Romantic traditions while maintaining his own lyrical voice, marked by clarity of structure and genuine melodic beauty rather than technical display for its own sake.

Why we love this

This collection showcases Mendelssohn's range across three major sonata forms plus character pieces that reveal his gift for miniature expression. The sonatas sit at a sweet spot: substantial enough to command a recital program without the interpretive vastness of later Romantic sonatas, while the shorter works offer programming flexibility and genuine pedagogical insight into how melodic thinking translates across different structural scales.

What to expect

Mendelssohn's keyboard writing sings; even in rapid passage work, there's a sense of natural phrasing inherited from his melodic gift. The sonatas unfold with elegant logic, while the shorter pieces, especially the Gondola Song and Fantaisie, evoke specific poetic atmospheres, from Venetian waterways to Irish folk tradition.

Who it's for

Advanced pianists preparing a recital program or exploring the Romantic sonata repertoire will find substantial material here. Teachers seeking works that balance technical challenge with musical substance for advanced students will value both the sonatas and the character pieces.

How to get the most out of it

  • Approach the E major Sonata Op. 6 as a model of transparent four-movement architecture; Mendelssohn's classical roots shine through here, so clarity of voice leading matters more than romantic rubato.
  • The Fantaisie sur une Chanson irlandaise rewards attention to the source melody; understanding its folk-song contours helps shape the embellishments and variations convincingly.
  • Balance technical passage work in the Perpetuum mobile Op. 119 against musical phrasing; this isn't a finger exercise despite its rapid figurations.
  • Use the character pieces (Gondola Song, Album Sheet, Capriccio) to explore Mendelssohn's gift for mood painting; each has a distinct atmospheric world worth honoring.

How to use it

Feature any of the three sonatas as the centerpiece of a recital devoted to early Romantic piano literature. The character pieces work beautifully as encores or as part of a thematic program exploring national folk traditions in Romantic music. Volume 5 pairs naturally with earlier Peters editions if building a complete survey of Mendelssohn's keyboard output.

Skills your students will build

  • Sustaining lyrical phrasing across extended harmonic progressions
  • Balancing transparent texture with emotional depth in sonata form
  • Navigating rapid figurative work while maintaining legibility
  • Interpreting programmatic titles (Gondola Song, Perpetuum mobile) musically
  • Understanding how variation technique develops folk and original melodies

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