Complete Piano Works Vol.2 Cover Image

Complete Piano Works Vol.2: Piano (Solo)

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Complete Piano Works Vol.2 Cover Image

Complete Piano Works Vol.2: Piano (Solo)

By Felix Mendelssohn / ed. Theodor Kullak

Item: 98-EP1704B

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Description
The second volume of Felix Mendelssohn's Piano works. Mendelssohn's piano music is amongst some of his most well known compositions, and often show his admiration for Bach's piano work. This book is a continuation of the first volume, which contains Mendelssohn's popular series of pieces, his 8 books of Song Without Words.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 1
ISBN10: 0-01-400744-4
ISBN13: 979-0-01-400744-7
SKU: 98-EP1704B

More about this title

About the Composer: Felix Mendelssohn

Felix Mendelssohn (1809-1847) was a German composer whose piano music bridged the Classical and Romantic eras with remarkable clarity and lyricism. He drew deeply from J.S. Bach's compositional techniques while developing a distinctly Romantic voice marked by songlike melody and structural elegance. Mendelssohn's keyboard writing influenced generations of pianists and composers, and his mastery of counterpoint made him a natural voice for both intimate character pieces and larger architectural works.

As a conductor, composer, and pianist himself, Mendelssohn understood the instrument's capabilities with rare insight. His piano cycles, particularly the Songs Without Words, became touchstones of the Romantic repertoire and remain central to music education and concert programming worldwide.

Why we love this

Mendelssohn's second volume offers a breadth of material that rewards serious pianists without relying on flashy virtuosity. The writing balances contrapuntal rigor with genuine melodic warmth, allowing players to focus on musical storytelling rather than technical showiness. Programming selections from this volume signals musical literacy and gives students access to works that sit comfortably between the familiar Song Without Words and more ambitious Romantic compositions.

What to expect

Mendelssohn's music speaks in an intimate, conversational tone. These pieces feel like refined thoughts from a composer working at the height of his powers, combining the clarity of Classical forms with the emotional depth of Romanticism. There is an unfussy elegance here, a sense that every note serves a purpose without unnecessary decoration.

Who it's for

Pianists at the intermediate to advanced level who are ready to move beyond early Romantic repertoire into more sophisticated harmonic language and structural complexity. Teachers seeking repertoire that balances musicality with craft will find substantial teaching material here. Students preparing recitals want pieces that combine recognizable names with genuine artistic substance.

How to get the most out of it

  • Honor the voice independence, especially in passages with Bach-influenced counterpoint. Each hand often carries distinct melodic or harmonic material that deserves clarity.
  • Resist rushing through rapid passage work. Mendelssohn's textures benefit from transparent, carefully voiced accompaniment patterns rather than thick, hurried playing.
  • Shape phrases with the long line in mind rather than individual measures. Romantic rubato serves Mendelssohn's music, but it must always serve the larger formal architecture.
  • Listen for moments where simple, song-like melody emerges from accompaniment texture. These often carry the emotional weight of the piece.

How to use it

This volume works well as a bridge between standard Romantic repertoire and more exploratory concert programming. A single selection pairs naturally with Schumann or Brahms on a recital, or several pieces can anchor a mini-retrospective of Mendelssohn's keyboard legacy alongside orchestral excerpts. Programming from this volume signals that your students engage with composers beyond their most famous works.

Skills your students will build

  • Contrapuntal voice leading and independence in both hands simultaneously
  • Pedal technique for sustaining harmonies across different textures without muddying clarity
  • Romantic rubato and expressive timing without losing metric integrity
  • Interpretation of character pieces that lack explicit tempo or dynamic markings
  • Understanding of form and structure in compact, songlike compositions

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