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Come the Brave: Concert Band Conductor Score

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Come the Brave: Concert Band Conductor Score

By Douglas E. Wagner

Grade: 0.5 (Very Easy)

Item: 00-46607S

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Description
Inspired by demonstrated courage, this original work is intended as a confidence-building piece for a young ensemble's first Spring concert. It serves as a perfect gateway into articulation and varying dynamics: the three most commonly occurring articulation marks (staccato, accent, and tenuto) have been included, as have the middle three dynamic markings (mezzo piano, mezzo forte, and forte) building and declining in intensity. These musical concepts can be experienced individually and within the ensemble. A bold musical statement! (2:00)

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Additional Details
Series: Belwin Very Beginning Band
Publisher: Alfred Music
Page Count: 16
UPC: 038081532325
SKU: 00-46607S

More about this title

About the Composer: Douglas E. Wagner

Douglas E. Wagner

Douglas E. Wagner studied music at Butler University, where he earned both undergraduate and graduate degrees. A Chicago native, he spent three decades as a high school music educator and administrator before transitioning to full-time composition work.

Since 1973, Wagner has published over 3,500 compositions across multiple genres: school and church choral music, concert band, orchestra, handbell ensemble, organ, piano, and vocal works. His output has reached millions of performers worldwide, with performances documented in concert halls, on radio and television broadcasts, and in venues internationally. He currently lives in Indianapolis with his wife, Sandy.

Why we love this

Wagner built this piece specifically for young ensembles stepping into their first public performance, and it shows in every measure. The careful scaffolding of articulation marks and dynamics turns a confidence-building moment into genuine musical instruction, letting players feel what staccato, accent, and tenuto actually accomplish rather than just reading about them. A conductor gets to hear a full, bold musical statement emerge from a very young band.

What to expect

Straightforward and assured, this piece announces itself with clarity and purpose. The deliberate use of staccato, accent, and tenuto creates rhythmic snap and definition, while the building and receding dynamics give the ensemble a sense of shape and control, building conviction with each phrase.

Who it's for

Directors preparing a young concert band for its first spring performance will find this piece exactly calibrated for that milestone. It works equally well for an ensemble that needs focused work on foundational articulation and dynamic control without the distraction of complex rhythms or ranges.

How to get the most out of it

  • Isolate the three articulation types in separate rehearsals before combining them. Have the band echo each articulation mark back to you with a short phrase so they can hear and feel the difference before putting it into context.
  • Shape the dynamic arch by conducting the intensity change visually; young players respond powerfully to a conductor's size and energy. As you move from mezzo piano to mezzo forte to forte, enlarge your beat and facial expression proportionally.
  • Balance clarity with ensemble unity during the articulated passages. Assign one section to play slightly softer so the articulation pattern remains visible without overwhelming the texture.

How to use it

Open a spring concert with this piece to set a tone of clarity and musicianship from the first moment. Its two-minute length makes it ideal as a first-half anchor that gives the audience immediate evidence of what the ensemble can do, positioning longer or more complex works later in the program.

Skills your students will build

  • Reading and executing staccato, accent, and tenuto articulations
  • Recognizing and performing mezzo piano, mezzo forte, and forte dynamic markings
  • Shaping dynamic phrases as an ensemble
  • Maintaining rhythmic precision during articulated passages
  • Building confidence in a performance context

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