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Come Fly with Me: String Orchestra Conductor Score

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Come Fly with Me Cover Image

Come Fly with Me: String Orchestra Conductor Score

By Mark Wood

Grade: 3

Item: 00-49426S

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Description
The composer, Mark Wood, writes: Come Fly with Me comes from my personal visualization of flying while improvising music. In writing a work which combines classical and American rock styles, I have created a vehicle for musicians to spread their wings and truly learn the beautiful art of composing their own music on the spot in the improvisation section. (4:00)

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Additional Details
Series: Mark Wood Series
Publisher: Alfred Music
ISBN10: 1-4706-5094-0
ISBN13: 978-1-4706-5094-0
UPC: 038081571850
SKU: 00-49426S

More about this title

About the Composer: Mark Wood

Mark Wood

Mark Wood stands alone as the electric violinist who fundamentally reshaped what strings can do in contemporary music. A founding member of Trans Siberian Orchestra who helped propel the ensemble to 10 million records sold, Wood has built a four-decade career as a performer, composer, and inventor whose technical command and sonic innovation earned him comparison to rock's most legendary guitarists. His work spans film and television composition (including an Emmy for Olympic broadcast music), seven solo albums, and collaborations with artists from Paul McCartney to Celine Dion, all while maintaining a deep commitment to music education and expanding the possibilities of orchestral sound.

Beyond the concert stage, Wood has become a passionate advocate for bringing rock and classical idioms into dialogue in the classroom. His compositions for student ensembles reflect his philosophy that improvisation and genre-bending are essential tools for developing musicians who think creatively. TED speaker, YouTube educator with millions of views, and Juilliard commissioned composer, Wood continues to electrify both professional and student musicians by proving that strings belong everywhere.

Why we love this

This piece captures something rare at Grade 3 level: a genuine fusion of classical craft and rock attitude that respects both traditions. The improvisation section gives your ensemble permission to experiment and compose in real time, which builds musical confidence far more effectively than reading the same printed note every rehearsal. Wood's writing gives every player a moment to shine while maintaining the ensemble cohesion students need at this level.

What to expect

The piece embodies flight itself: light and exhilarating when it takes off, grounded in beautiful string textures when it soars. The rock elements feel electric and present without overwhelming the classical foundations, creating a conversation between worlds rather than a clash.

Who it's for

String orchestras at the intermediate level seeking repertoire that bridges classical and contemporary genres. This is ideal for directors who want to teach improvisation and compositional thinking within an ensemble context while honoring the musicianship their students have already developed.

How to get the most out of it

  • Establish a steady harmonic foundation with your lower strings during the improvisation section; this gives soloists a secure platform to explore their ideas without losing ensemble shape.
  • Work the rock grooves in sections before tackling ensemble coordination. Get your rhythmic feel locked before layering the melodic content so the piece swings rather than sits.
  • Use the improvisation as an opportunity to rotate soloists across rehearsals so every player experiences composing on the spot, not just your most confident musicians.
  • Balance the classical-to-rock transition by rehearsing them separately at first; students often need permission to commit fully to the rock section after hearing themselves in a more traditional voice.

How to use it

Program this early in a concert to set an energetic, forward-looking tone while showcasing your ensemble's range and adaptability. The built-in improvisation section makes it especially valuable in a concert that aims to demonstrate creativity and student voice alongside traditional repertoire.

Skills your students will build

  • Real-time improvisation and composition within a harmonic framework
  • Rock rhythm interpretation (groove, swing, forward motion) on classical instruments
  • Ensemble listening and response during ensemble-wide improvisation
  • Confidence playing unfamiliar stylistic territory
  • Understanding how classical and contemporary genres can coexist in a single work

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