Come Fly with Me Cover Image

Come Fly with Me: String Orchestra Conductor Score & Parts

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Come Fly with Me Cover Image

Come Fly with Me: String Orchestra Conductor Score & Parts

By Mark Wood

Grade: 3

Item: 00-49426

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Description
The composer, Mark Wood, writes: Come Fly with Me comes from my personal visualization of flying while improvising music. In writing a work which combines classical and American rock styles, I have created a vehicle for musicians to spread their wings and truly learn the beautiful art of composing their own music on the spot in the improvisation section. (4:00)

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Sample Pages

Sample Audio
1 Come Fly with Me (Play-Along) --:--
2 Come Fly with Me --:--

Come Fly with Me (Play-Along)

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Sample Video
Additional Details
Series: Mark Wood Series
Publisher: Alfred Music
ISBN10: 1-4706-5093-2
ISBN13: 978-1-4706-5093-3
UPC: 038081571843
SKU: 00-49426

More about this title

About the Composer: Mark Wood

Mark Wood

Mark Wood has spent four decades redefining what strings can do in contemporary music. As an electric violinist, composer, and Emmy Award-winning creator, he pioneered an entire genre by fusing classical technique with rock energy. He rose to prominence as a founding member of Trans Siberian Orchestra, selling over 10 million records, and has since built a prolific career as a solo artist, film and television composer, and educator.

Wood's approach to music education is rooted in innovation and authentic creative expression. Beyond his work as a recording artist and performer on stages from Carnegie Hall to Madison Square Garden, he has become a powerful advocate for music in schools, demonstrating that classical and contemporary styles belong together. His compositions for student ensembles reflect his belief that young musicians should experience the thrill of improvisation, composition, and cross-genre exploration.

Why we love this

Wood has written something genuinely rare for Grade 3 string orchestras: a piece that honors classical writing while creating space for student creativity. The built-in improvisation section gives your players permission to compose in real time, transforming them from note-readers into musicians making artistic choices. It's the kind of work that reminds students why they picked up their instruments in the first place.

What to expect

Soaring and unbounded. The piece opens with classical dignity and energy, then gradually shifts into rock-influenced territory before inviting your orchestra to compose together in the moment. There's genuine electricity in the contrast between structured playing and free creative expression.

Who it's for

Intermediate string orchestras ready to explore beyond traditional classical repertoire. This works best for groups with supportive directors who value student agency and can coach ensemble members through improvisation.

How to get the most out of it

  • Introduce the improvisation section early in rehearsals and let students hear examples of what's possible. Wood's vision depends on players feeling confident enough to take risks.
  • Balance the classical passages with enough energy that the rock influences land clearly. The contrast between these worlds is the piece's greatest strength.
  • Assign improvisation roles strategically so every section contributes meaningfully during that section. Violins don't need to carry the entire moment.

How to use it

Schedule this as a concert centerpiece that shows the range and personality of your orchestra. It pairs well with more traditional classical repertoire to demonstrate how different genres serve different expressive purposes. The four-minute length makes it ideal for pops concerts or chamber concert series where you want to spotlight your students' artistry and courage.

Skills your students will build

  • improvisation and real-time composition
  • blending classical technique with rock and contemporary styles
  • active listening and ensemble responsiveness during group improvisation
  • confidence in creative musical decision-making

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