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Cole Porter: The Platinum Collection: Piano/Vocal/Chords Book

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Cole Porter: The Platinum Collection Cover Image

Cole Porter: The Platinum Collection: Piano/Vocal/Chords Book

The Definitive Songbook

Cole Porter

Item: 12-057152799X

$27.99
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Description
This is The definitive songbook - a truly magnificent collection containing 50 of Cole Porter's best songs for piano and voice with guitar chords. All songs have been newly engraved and thoroughly researched and edited to provide the best edition available! No other series can claim to be as definitive as Faber Music's new Platinum Collection.

Titles: All Through the Night * Another Op'nin, Another Show * Anything Goes * Be a Clown * Be Like the Blue Bird * Begin the Beguine * Blow, Gabriel, Blow * Brush Up Your Shakespeare * Don't Fence Me In * Easy to Love * Ev'ry Time We Say Goodbye * From This Moment On * Get Out of Town * Goodbye, Little Dream, Goodbye * Hey, Good Lookin' * I Get a Kick Out of You * I Happen to Like New York * I Love Paris * I Love You * I'm a Gigolo * In the Still of the Night * I've Got You Under My Skin * It's All Right with Me * It's De-Lovely * Just One of Those Things * Let's Do It (Let's Fall in Love) * Let's Misbehave * Love for Sale * Miss Otis Regrets * Mister and Missus Fitch * My Heart Belongs to Daddy * Night and Day * The Physician * So in Love * Take Me Back to Manhattan * Thank You So Much Missus Lowborough-Goodby * Too Darn Hot! * True Love * Were Thine That Special Face * Well Did You Evah? * What Is This Thing Called Love? * Where Is the Life That Late I Led? * Who Wants to Be a Millionaire? * Why Can't You Behave? * Wunderbar * You'd Be So Nice to Come Home To * You Don't Know Paree * You Do Something to Me * You're Sensational * You're the Top * You've Got That Thing.

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Additional Details
Series: Faber Edition: Platinum Collection
Publisher: Faber Music
ISBN10: 0-571-52799-X
ISBN13: 978-0-571-52799-1
UPC: 9780571527991
SKU: 12-057152799X

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) remains one of American musical theater's most sophisticated composers and lyricists. His songs are built on witty, urbane lyrics paired with melodies that sit perfectly for the voice; he understood how to write for singers in ways that feel both conversational and musically substantial. Porter's influence extends far beyond Broadway into jazz standards, film scores, and the repertoire of every serious vocalist.

Why we love this

This collection captures the full scope of Porter's theatrical genius in one meticulously researched source. The 50 selections span comedic patter songs, lush ballads, and rhythmically inventive numbers, giving you immediate access to repertoire that works equally well in cabaret settings, vocal master classes, jazz combos, or formal recitals. Newly engraved and edited throughout, these are clean, singable editions that respect Porter's original intention while remaining practical for today's performers.

What to expect

Opening these pages feels like stepping into a world of elegant sophistication and genuine humor. Porter's melodies have a conversational grace that makes them feel both timeless and immediately singable, while his harmonies reveal new layers with each encounter. Whether you're inhabiting a romantic ballad or delivering a comedic punch line, his songs demand both musical intelligence and theatrical presence.

Who it's for

This book serves vocalists preparing jazz standards for auditions, recitals, or performance ensembles; directors building a cabaret or standards-based concert; and pianists who want authoritative, performance-ready arrangements of the American songbook's most enduring works. Both classical and jazz musicians will find material suited to their practice and programming.

How to get the most out of it

  • Pay close attention to Porter's written rhythms in the accompaniment, especially in jazz-inflected tunes like 'Night and Day' or 'Let's Do It.' These are not meant to swing freely; the precision of the written note values is part of the compositional sophistication.
  • Treat the lyrical clarity as seriously as the vocal line itself. Porter's wit lives in the text, so articulate the words crisply and let the accompaniment support rather than overshadow what you're saying.
  • In uptempo novelty numbers like 'Brush Up Your Shakespeare' or 'Well Did You Evah?,' resist the urge to rush. Porter's comedy relies on precise timing and lyrical delivery, not on speed.
  • Balance the harmonic richness Porter writes under each phrase. These aren't simple lead sheets; the piano voicings contain the emotional substance, so singers should listen to and shape phrasing around what's happening beneath them.

How to use it

Program individual selections from this collection alongside other American songbook material in recitals, or curate a full Porter evening for experienced singers. These titles also work beautifully in jazz choir settings, as audition material for young vocalists developing their standard repertoire, or as teaching examples when exploring harmonic sophistication and compositional craft in vocal literature courses.

Skills your students will build

  • Interpreting American popular song idioms (swing inflection, rhythmic flexibility within written notation)
  • Executing crisp lyrical diction in comic and sophisticated contexts
  • Recognizing and responding to chromatic harmony and jazz-influenced chord progressions
  • Balancing melody and accompaniment in ensemble settings
  • Understanding theatrical delivery in non-operatic vocal music

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