Clowning Around Cover Image

Clowning Around: Early Intermediate Piano Sheet

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Clowning Around Cover Image

Clowning Around: Early Intermediate Piano Sheet

By Stephanie J. Wilburn

Item: 98-S4113

$2.50
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Description
Winner of the Lynn Freeman Olson Composition Award, Clowning Around is an outstanding festival, recital, or audition solo for the intermediate performer. This frolicking piece features staccato and legato touches, light use of accidentals, and an extended keyboard range. Students will love the clever "forearm" glissandos that conclude this award-winning solo.

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Additional Details
Series: Spotlight Solo Sheets
Publisher: The FJH Music Company, Inc.
UPC: 674398209484
SKU: 98-S4113

More about this title

About the Composer: Stephanie J. Wilburn

Stephanie J. Wilburn has established herself as a composer who writes with genuine insight into what intermediate students need: music that challenges their technique without overwhelming their musicianship. Her work earned recognition through the Lynn Freeman Olson Composition Award, a distinction that reflects her ability to craft pieces with both musical substance and accessibility.

Wilburn understands the performance context intimately. Her compositions balance approachability with genuine artistry, giving students repertoire they're excited to learn and audiences genuinely enjoy hearing.

Why we love this

Wilburn writes with real understanding of what intermediate pianists can execute and enjoy. The piece balances technical variety (staccato, legato, accidentals) with genuine musical fun, and those forearm glissandos deliver the kind of crowd-pleasing moment that makes students excited to practice and perform.

What to expect

Clowning Around bounces with playful mischief. The staccato passages feel like a character tiptoeing or stumbling through a scene, while the legato moments offer brief respite. Those signature forearm glissandos arrive like the punchline to a well-told joke, spiraling across the keys with delightful abandon.

Who it's for

Intermediate pianists preparing for festivals, recitals, or auditions will find a piece that sits comfortably in their technical range while offering enough character and surprise to hold an audience. The award recognition signals the quality of the writing without demanding advanced skills.

How to get the most out of it

  • Separate the staccato notes cleanly without rushing; they set the comedic timing of the whole piece.
  • Map out the extended keyboard range before performance so you can execute the glissandos confidently without looking down.
  • Let the legato sections breathe as a contrast to the bouncy staccato passages; the architecture of the piece depends on this balance.
  • Bring energy to the accidentals rather than playing them cautiously; they're part of the humor, not obstacles.

How to use it

This solo works beautifully on a student recital or festival schedule as a refreshing palate cleanser between more serious repertoire, or as a memorable closer that leaves the audience smiling. Its award status makes it a natural fit for audition programs where you want to demonstrate technical control and musical personality.

Skills your students will build

  • Staccato and legato articulation within the same piece
  • Reading and executing accidentals accurately in both hands
  • Navigating an extended keyboard range with security
  • Executing forearm glissandos with control and confidence
  • Balancing rhythmic precision with musical character

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