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Cliffs of Moher: String Orchestra Conductor Score & Parts

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Cliffs of Moher Cover Image

Cliffs of Moher: String Orchestra Conductor Score & Parts

By Susan H. Day

Grade: 2

Item: 00-33715

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Description
Reminiscent of the music of Ireland, this piece captures the majestic beauty of one of Ireland's most visited natural wonders, the spectacular Cliffs of Moher, which tower over the Atlantic Ocean. Written in the keys of G major and D major, all parts stay in first position and have interesting melodic lines, including a fun dance-like round section to bring to mind the waves beating at the rocks. A variety of techniques, such as pizzicato, open string double stops, slurs, and even a few easy open string harmonics, are featured. The perfect choice for your next concert! This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Cliffs of Moher: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Highland/Etling String Orchestra
Publisher: Alfred Music
Page Count: 124
ISBN10: 1-4706-5754-6
ISBN13: 978-1-4706-5754-3
UPC: 038081377087
SKU: 00-33715

More about this title

Why we love this

Susan H. Day has crafted a piece that accomplishes something rare at Grade 2: it teaches genuine orchestral technique while delivering real musical substance. The round section and varied articulation patterns give every section something satisfying to play, and the programmatic context makes rehearsals feel purposeful rather than mechanical.

What to expect

Majesty meets movement. The piece evokes wind-carved stone and spray, with sweeping phrases that let young players feel the grandeur of a natural landmark. The playful round section shifts the mood toward the energy of Atlantic waves, creating a journey from contemplative to lively within a single work.

Who it's for

This score and parts set serves Grade 2 string orchestras ready to tackle more than simple rhythmic unison. The first-position requirement keeps the technical barrier low, but the melodic interest and orchestration depth engage musicians who want their parts to matter. It works equally well for classroom ensembles and festival-bound programs.

How to get the most out of it

  • Balance the melody between first and second violins during the round section; mark cues clearly so both parts understand when they're leading versus supporting the texture.
  • Approach the pizzicato passages with a unified pluck; work for consistency of tone and release across the entire section before layering in dynamics.
  • The open string harmonics require light pressure and precise bow placement; isolate these measures in sectional rehearsals to build confidence before full orchestra run-throughs.
  • Let the double stops breathe naturally in first position; resist the urge to rush through them, as they anchor the harmonic richness of the piece.

How to use it

Pair this with lighter, faster concert openers to give the program depth and visual interest. The programmatic nature also makes it an excellent choice for educational concerts where you want to tell a story or connect music to geography and culture.

Skills your students will build

  • Reading and executing pizzicato articulation in context
  • Balancing independent melodic lines in a round structure
  • Playing open string double stops with intonation control
  • Producing open string harmonics with proper technique
  • Responding to varied dynamic and tempo markings within a single work

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