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Classics for the Developing Pianist, Study Guide Book 2: Piano Book

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Classics for the Developing Pianist, Study Guide Book 2: Piano Book

Study Guide for Preparation, Practice & Performance

By Ingrid Jacobson Clarfield and Phyllis Alpert Lehrer

Level: Intermediate

Item: 00-46278

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Description
The books in this series present study guides for masterworks, beginning at the early intermediate level, that the editors believe developing pianists should study and perform. Each book contains 20 study guides to pieces selected from the four main style periods. Book 2 contains selections for intermediate pianists. Titles: Alfedans (Elfin Dance), Op. 12, No. 4 (Grieg) * Avalanche, Op. 45, No. 2 (Heller) * Ballade, Op. 100, No. 15 (Burgmüller) * Evening in the Country, Sz. 39, No. 5 (Bartók) * First Gymnopédie (Satie) * First Sorrow, Op. 68, No. 16 (Schumann) * Gavotte (Handel) * Old French Song, Op. 39, No. 16 (Tchaikovsky) * Prelude in C Major, BWV 939 (J. S. Bach) * Solfeggieto (C. P. E. Bach) * Sonata in C Major, K. 545 (III) (W. A. Mozart) * Sonata in D Minor, K. 32; L. 423 (D. Scarlatti) * Sonata in G Major, Hob. XVI/8 (III and IV) (Haydn) * Sonatina in C Major, Op. 20, No. 1 (Kuhlau) * Sonatina in C Major, Op. 36, No. 1 (Clementi) * Sonatina in F Major, Anh. 5, No. 2 (Beethoven) * Teasing Song, Sz. 42, No. 18 (Bartók) * To a Wild Rose, Op. 51, No. 1 (MacDowell) * Waltz in B Minor, Op. 18, No. 6; D. 145 (Schubert) * Waltz, Op. 12, No. 2 (Grieg).

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Additional Details
Series: Classics for the Developing Pianist
Publisher: Alfred Music
Page Count: 56
ISBN10: 1-4706-3953-X
ISBN13: 978-1-4706-3953-2
UPC: 038081533650
SKU: 00-46278

More about this title

About the Author: Ingrid Jacobson Clarfield

Ingrid Jacobson Clarfield

Ingrid Jacobson Clarfield brings decades of teaching excellence and scholarly rigor to keyboard pedagogy. As Professor of Piano Emerita at Westminster Choir College of Rider University, she has authored twenty-six books and delivered master classes, workshops, and lecture-recitals across North America at venues ranging from State and National MTNA Conferences to the National Conference of Keyboard Pedagogy. Her recognition includes the MTNA Teacher of the Year award (2012), NCKP Lifetime Achievement Award (2015), the inaugural Jacobs Music Steinway Al C. Rinaldi Lifetime Achievement Award (2017), and induction into the first Steinway and Sons Teachers Hall of Fame (2019).

Clarfield's private studio has produced competitors who have won hundreds of state, national, and international awards, with performances at Lincoln Center, Carnegie Hall, Kennedy Center, and concert halls worldwide. Nineteen of her students have won MTNA State-level competitions, and one, Damien Dixon, claimed First Prize at the National level. Beyond competition success, she prioritizes her students' engagement in community outreach, organizing benefit concerts for charities and performances for nursing homes and other community venues.

Why we love this

This study guide book transforms how intermediate pianists encounter masterworks by pairing accessible repertoire with structured pedagogical support. The 20 selections span all four style periods and include both shorter character pieces and multi-movement works, giving students ownership over repertoire they might otherwise find intimidating to approach alone. Each study guide scaffolds understanding in ways that honor the intermediate player's growing sophistication while building the interpretive habits that separate competent playing from artful performance.

What to expect

Opening this guide connects you to centuries of musical conversation. Grieg's "Alfedans" dances with Romantic delicacy; Mozart's Sonata finale crackles with Classical wit; Bartók's "Teasing Song" prods and plays; Satie's "Gymnopédie" suspends time in contemplative stillness. Each piece arrives with historical grounding and musical guidance, transforming study time into discovery.

Who it's for

Intermediate pianists seeking to expand their repertoire beyond method books and into the canon of masterworks that form the foundation of recital programming. This book serves teachers who want to structure their students' study of major composers with guided frameworks that encourage careful analysis and thoughtful interpretation.

How to get the most out of it

  • Study the historical and stylistic context provided in each guide before working on the score; understanding the composer's era shapes phrasing, tempo, and expressive choices in ways technical practice alone cannot.
  • Use the study guide to identify technical passages that need isolation work, but return often to playing the piece whole to maintain musical momentum and shape.
  • Reference the guide's interpretive notes during your practice sessions to test different approaches to rubato, dynamics, and articulation before settling on your own interpretation.

How to use it

Build a recital around pieces from different style periods using this guide as your curriculum map, or weave selections into a full year of private lessons, devoting one study guide per week to sustained engagement with canonical repertoire. The 56-page format makes it portable enough to pair with lesson books and reference during practice sessions away from the studio.

Skills your students will build

  • Stylistic analysis across Baroque, Classical, Romantic, and contemporary periods
  • Interpretation of articulation, phrasing, and rubato appropriate to each composer and era
  • Technical problem-solving for intermediate-level passages in sonatas and sonatinas
  • Score preparation skills and musical decision-making based on textual and historical evidence
  • Confidence in approaching longer multi-movement works and character pieces independently

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