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Classics for Solo Singers: Medium Low Voice Book & CD

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Classics for Solo Singers: Medium Low Voice Book & CD

12 Masterwork Solos for Recitals, Concerts, and Contests

Compiled and ed. Patrick M. Liebergen

Item: 00-33210

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Description
This superb anthology is the perfect collection for voice students and instructors alike. It features a thoughtful and diverse selection of vocal masterworks from the Renaissance era through the Romantic era, appropriate for any performance venue. Includes historical information for each selection, plus pronunciation guides and translations as needed.

Titles: Die Landlust (Haydn) * Für Musik (Franz) * It Was a Lover and His Lass (Morley) * Les Berceaux (Fauré) * Let Me Wander, Not Unseen (Handel) * Nymphs and Shepherds (Purcell) * On Wings of Song (Mendelssohn) * Panis angelicus (Franck) * Ständchen (Schubert) * Verdi prati (Handel) * Widmung (Schumann) * Wiegenlied (Schubert).

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-7390-6847-4
ISBN13: 978-0-7390-6847-2
UPC: 038081361185
SKU: 00-33210

More about this title

Why we love this

The range of repertoire across four centuries gives your students genuine variety without the scramble to assemble a balanced recital program from scattered sources. Medium-low voice students often find themselves reaching for baritone transcriptions or settling for limited options; this collection honors their voice type with pieces actually written or well-suited for that range.

What to expect

This anthology spans intimate drawing-room moments, pastoral charm, and operatic tenderness. Each era brings its own emotional texture: Renaissance songs feel straightforward and pure, Baroque pieces sparkle with ornament and clarity, and the Romantic selections bloom with lyricism and depth.

Who it's for

Voice students and teachers preparing recital material, audition selections, or concert performances all benefit from a curated collection that balances well-known standards with less familiar gems. Medium-low voice singers in high school through college will find pieces pitched appropriately for their range and maturity level.

How to get the most out of it

  • Study the pronunciation guides and translations before your first full run-through; these pieces demand clarity of text, and knowing exactly what you're singing transforms interpretation.
  • Use the recorded accompaniments to identify where your voice needs to project over the piano and where it can recede into intimate storytelling, especially in the art songs.
  • Work the historical context for each piece into your practice; understanding whether you're singing a Baroque court song, a Romantic character piece, or a Renaissance pastoral shapes your phrasing and emotional approach.

How to use it

Build an entire recital from this single source, programming chronologically to show vocal and stylistic evolution, or draw individual selections to complement solo appearances in larger concerts. The included translations and historical notes make each piece a complete programming package, requiring minimal supplemental research.

Skills your students will build

  • Singing across multiple languages (English, German, French, Italian) with accurate pronunciation and diction
  • Interpreting Baroque ornamentation and articulation
  • Sustaining legit line through Romantic-era phrase structures
  • Understanding and conveying historical context in vocal performance
  • Balancing solo voice with piano accompaniment in art song settings
  • Building recital-ready interpretations from score study and historical notes

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