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Classics for Solo Singers: Medium High Voice CD

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Classics for Solo Singers: Medium High Voice CD

12 Masterwork Solos for Recitals, Concerts, and Contests

Compiled and ed. Patrick M. Liebergen

Item: 00-33206

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Description
This superb anthology is the perfect collection for voice students and instructors alike. It features a thoughtful and diverse selection of vocal masterworks from the Renaissance era through the Romantic era, appropriate for any performance venue. Includes historical information for each selection, plus pronunciation guides and translations as needed.

Titles: Die Landlust (Haydn) * Für Musik (Franz) * It Was a Lover and His Lass (Morley) * Les Berceaux (Fauré) * Let Me Wander, Not Unseen (Handel) * Nymphs and Shepherds (Purcell) * On Wings of Song (Mendelssohn) * Panis angelicus (Franck) * Ständchen (Schubert) * Verdi prati (Handel) * Widmung (Schumann) * Wiegenlied (Schubert).

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
ISBN10: 0-7390-6843-1
ISBN13: 978-0-7390-6843-4
UPC: 038081361147
SKU: 00-33206

More about this title

Why we love this

This collection spans four centuries of vocal literature without padding or filler. The range of styles, from Purcell's baroque clarity to Schumann's Romantic intensity, means students encounter authentic masterworks rather than simplified arrangements, and the included translations and pronunciation guides let singers focus on artistry rather than scrambling for resources.

What to expect

Moving through this collection is like walking through a vocal museum where every painting still speaks. You encounter the gentle lyricism of Romantic art song, the architectural elegance of baroque melody, and the Renaissance grace of Morley's settings, each style distinct yet connected by the human voice at its center.

Who it's for

Voice students preparing recitals, auditions, or repertoire exams benefit from this focused selection of core masterworks. Voice instructors use this anthology to build a coherent curriculum across historical periods without assembling materials from multiple sources.

How to get the most out of it

  • Study the historical context notes before rehearsing each piece; understanding the era and composer's intent shapes your phrasing and emotional approach in ways that pure technique alone cannot.
  • Use the pronunciation guides systematically, especially for the German and French texts; accurate diction strengthens your connection to the music and prevents awkward re-learning after memorization.
  • Approach the Handel and Purcell selections with attention to baroque ornamentation; these pieces reward thoughtful interpretation of melodic decoration rather than straight-through execution.
  • Record yourself singing through the collection periodically; hearing your own progress across such varied repertoire clarifies which interpretive challenges need focused work.

How to use it

Select individual pieces for student recitals, pairing a Renaissance or baroque number with a Romantic counterpart to show stylistic contrast. Alternatively, build a thematic concert around voice types or languages, using this collection's breadth to construct a complete program without hunting through separate publications.

Skills your students will build

  • Navigating historical vocal styles from Renaissance through Romantic era
  • Executing baroque ornamentation and phrasing conventions
  • Correct diction in German, French, Italian, and English
  • Building interpretive depth through historical and textual understanding
  • Memory and long-term repertoire development across genres

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