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Classic Themes Duets, Book 2: Piano Duet (1 Piano, 4 Hands) Book

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Classic Themes Duets, Book 2 Cover Image

Classic Themes Duets, Book 2: Piano Duet (1 Piano, 4 Hands) Book

Ten Duet Arrangements of Favorite Classical Themes for Intermediate Pianists

Arranged by Allan Small

Level: Intermediate

Item: 00-11728

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Description
These two collections contain duet arrangements of favorite classical themes for one piano, four hands. Drawn from the symphonic, ballet and operatic literature, these volumes allow performers with a limited technique to enjoy rich sounding arrangements while strengthening skills in rhythm and ensemble playing. Includes works by Offenbach, Haydn, Beethoven and more.

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Additional Details
Publisher: Alfred Music
Page Count: 44
UPC: 038081112039
SKU: 00-11728

More about this title

About the Arranger: Allan Small

Allan Small

Allan Small (born Elias Schreibman) came to arrangement and orchestration through practical musicianship rather than formal training. Starting piano lessons at age 11, he progressed from playing in Catskill Mountain dance bands to directing his own ten-piece ensemble at the Arcadia Ballroom in New York City, where he developed his ear for harmony, orchestration, and thematic writing entirely through self-study and professional experience.

Small's arrangement work earned recognition from major figures in American music, including Andre Kostelanetz, Morton Gould, and Paul Whiteman, with his orchestrations for Kostelanetz now housed in the Library of Congress. During the 1950s and 1960s, he taught piano and published through Schreibman Press, a company that eventually became Claire Music and was acquired by Alfred Music Publishing. After retiring from active teaching, Small turned to symphonic composition and served as conductor and arranger for the Florida Mandolin Orchestra. He passed away in 1998, leaving a catalog of more than 30 published works and a legacy spanning dance band arrangement, classical orchestration, and original composition.

Why we love this

Small's arrangements strike an ideal balance between accessibility and musicality; intermediate pianists get to sound accomplished without drowning in technical difficulty. The orchestral origins of these themes give the duet arrangement immediate resonance and weight, making the four-hand format feel like a natural vehicle for the music rather than a compromise.

What to expect

Orchestral grandeur translated to four hands at a single keyboard. The arrangements retain the elegance and sweep of their classical sources while keeping the keyboard writing practical and musical, letting pianists feel the architecture of real symphonic and operatic literature without strain.

Who it's for

Intermediate pianists who want the gratification of playing recognizable masterworks without the technical demands of solo performance at the same level. Duet partners of similar ability will find these arrangements rewarding for developing ensemble listening and coordination while building confidence on familiar musical ground.

How to get the most out of it

  • Balance the primo and secondo parts carefully during rehearsal; Small's voicing often places the melody in one hand while the other carries countermelody or harmonic support, so both players need equal confidence in their lines.
  • Lock in the rhythmic coordination before addressing tempo variations; the intermediate level benefits from a steady, secure pulse in early rehearsals, then expressive timing can emerge naturally.
  • Shape phrases across the keyboard rather than within single hands; this encourages both players to listen for the arch of the melody and respond together, strengthening ensemble awareness.

How to use it

These duets work well in informal recital settings where ensemble pieces add variety to a program of solo work, or as intermission performances during student competitions or studio events. They also serve as bridge repertoire for intermediate pianists preparing to move toward more challenging contemporary duet literature.

Skills your students will build

  • Coordinating rhythm and phrasing across two keyboard performers
  • Reading multiple melodic lines and supporting roles simultaneously
  • Balancing ensemble texture between primo and secondo voices
  • Interpreting classical forms and period style through prepared arrangements
  • Building stamina for longer works at intermediate technical level

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